Music Releases 05-18-18
Following the success of his multi-platinum, Grammy-nominated debut album, Chaos & The Calm, James Bay to release highly anticipated album, Electric Light, on 5/18 via Republic Records. Album includes current single “Wild Love,” which recently entered Top 20 at Hot AC radio & continues to gain traction. James will headline a SOLD-OUT US tour, which will launch on 3/25 in Seattle. Additionally, there will be multiple media appearances & performances to support the album, including a major look on SNL.
The fact that Stephen Malkmus & The Jicks have thrived, rather than simply endured, over 17 years and delivered six albums of buzzy, sub-cultural significance, constitutes an impressive legacy. The challenge with album number seven is one that any successful band with integrity faces: how to safeguard that legacy and hold on to their identity without rehashing old ground (unthinkable), and also say something meaningful while (crucially) having fun doing it? With Sparkle Hard, Malkmus, Mike Clark (keyboards), Joanna Bolme (bass) and Jake Morris (drums) do exactly that. It’s light ’n’ breezy, head-down heavy, audacious, melancholic and reflective, goodtime and bodacious, and it pulls off the smartest trick: it’s both unmistakeably The Jicks and – due to the streamlining of their trademark tics and turns, plus the introduction of some unexpected flourishes (Auto-Tune! A fiddle! Guest vocalist Kim Gordon! One seven-minute song with an acoustic folk intro!) – The Jicks refashioned. If 2014’s Wig Out At Jag Bags balanced the lengthy prog workouts of Pig Lib with Mirror Traffic’s sparky pop moments, then Sparkle Hard bears less obvious direct relation to what’s come before. It also has turbocharged energy and enthusiasm by the truckload.
Santa Rosa Fangs is critically acclaimed California-based singer/songwriter Matt Costa’s new full-length, his first in five years. The album was produced by Peter Matthew Bauer (The Walkmen) and Nick Stumpf (French Kicks). The tale of Santa Rosa Fangs centers around a young woman named Sharon, her two brothers Ritchie and Tony, and their story of love, loss, and coming of age in a timeless yet contemporary California. It is replete with long distance love affairs and nostalgic romances woven through the loom of tragedy and time.
Wide Awake! is New York’s Parquet Courts’ fifth record since their formation eight years ago. It’s also their most groundbreaking. It’s an album about independence and individuality but also about collectivity and communitarianism. Love is at its center. There’s also a freshness here, a breaking of new territory that’s testament to the group’s restless spirit. In part, this may be attributed to the fact that it’s produced by Brian Burton, better known as Danger Mouse, but it’s also simply a triumph of their songwriter’s art. The songs, written by Austin Brown and Andrew Savage, are filled with their traditional punk rock passion, as well as a lyrical tenderness, but are elevated to even greater heights by the dynamic rhythmic propulsion of Max Savage (drums) and Sean Yeaton (bass). Ultimately then the message contained in Wide Awake! is complex. “In such a hateful era of culture, we stand in opposition to that — and to the nihilism used to cope with that — with ideas of passion and love,” Brown says. For Savage, it comes back to the deceptively complex goal of making people want to dance, powering the body for resistance through a combination of groove, joy, and indignation, “expressing anger constructively but without trying to accommodate anyone.” “The most exhilarating exercise from New York’s reigning indie-rockers laureate since their legend-making “Stoned and Starving” – as if you didn’t already have reason enough to be on high alert for Wide Awake!” – Stereogum “An urgent, fantastic return that sees the band at the very top of their game, and more together than ever” – DIY Mag
On May 18, Ohio-based band The Sidekicks will release their fifth album, Happiness Hours. Nearly three years in the making, Happiness Hours follows 2015’s critically acclaimed Runners in the Nerved World.
Produced, engineered, and mixed by John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile), Happiness Hours features some of the sunniest, most ebullient songs The Sidekicks have ever recorded—all ringing guitars, charging drums, and soaring vocals. That dynamic is more than apparent on the infectious lead single “Twins Twist,” which premieres today.
With its warm harmonies and shining melody, bouncing groove and bittersweet lyrics, “Twins Twist” also reveals the more narrative-driven direction that The Sidekicks pursued in creating Happiness Hours. As vocalist/guitarist Steve Ciolek explains, those narratives reach squarely toward a kind of universal experience.
“They are relative to my life, but they aren’t just about me,” says Ciolek, whose bandmates include drummer Matt Climer, guitarist/vocalist Toby Reif, and bassist/vocalist Ryan Starinsky. “Unlike when you’re a kid, when every song has to be about falling in love or breaking up—about me, me, me—you get to a point when you really want your art to be inclusive. You want everyone to be able to locate themselves somehow in your songs.”
Alice Merton's hit single has already captured an immense amount of attention with millions of global plays on Spotify, Youtube, and Apple Music, late nigh TV Debut on The Tonight Show staring Jimmy Fallon and has recently topped the US & Canadian Alternative radio charts with 2 consecutive weeks at #1 in the US and 8 consecutive weeks at #1 in Canada. The radio story continued with Alice Merton being the first female artist since Adele to top the Triple A US radio charts and held the #1 spot for 5 consecutive weeks and "No Roots" is currently making its way up the Pop radio charts. The No Roots EP follows the massive radio story and will include "No Roots", her new song "Lash Out" and 3 additional tracks. Alice was featured as one of Billboard Magazine's Chartbreakers and by Rolling Stone as an Artist You Need To Know.
RIAA-certified, Billboard chart-topping, Richmond, VA band LAMB OF GOD may be one of the biggest bands in modern metal, but they will never forget where they came from. Mark Morton (guitar), Willie Adler (guitar), John Campbell (bass), and Chris Adler (drums) formed the first incarnation of the band, BURN THE PRIEST, in the winter of 1994 after meeting four years earlier as students at Virginia Commonwealth University. Less than a year later, in the summer of 1995, they met vocalist Randy Blythe and the rest is global metal history. Guitarist Mark Morton says, "To truly understand the essence of the band BURN THE PRIEST, one must first consider the landscape in which it began: the mid-90s. Grunge and alternative music ruled the airwaves. Social media and the internet had yet to assume their role as our collective sources for entertainment and cultural exchange. It was a time when DIY 'zines turned us onto new bands and regional scenes, and 'copy and paste' still implied a print shop and a glue stick." BURN THE PRIEST's self-titled debut album, released via Philadelphia-based Legion Records, documented what was, in essence, a primal punk band performing metal. Ultimately, as they grew in local popularity, the five-piece chose to stray away from their name to avoid being associated with satanic metal, choosing the name LAMB OF GOD. Morton continues, "As our sound and songs developed, so did our goals... we began playing basement parties and warehouse shows and in doing so, we realized that the energy we were creating was transferable. The shows we played in those squats and warehouses [in Philadelphia] and the people we met there are forever embedded in our collective consciousness and the DNA of our band." As they enter their 20th year since releasing their first self-titled album as BURN THE PRIEST, the band will release a full-length covers album that reflects on the greatness of classic punk, hardcore, crossover and noise - rock subgenres that contributed to what LAMB OF GOD - and indeed, the world - now view as modern heavy metal. As BURN THE PRIEST, the band presents Legion: XX featuring tracks originally performed by Cro-Mags, Agnostic Front, Quicksand, Ministry, Bad Brains, Melvins, S.O.D., The Accused, Big Black and Richmond punk band Sliang Laos. The tracks are performed with the unmistakable precision that has kept the band vital for two decades, but ultimately harks back to the raw, punk-driven sound first explored by four unsuspecting college students and a line cook-turned-vocalist in their formative years. Produced with Josh Wilbur at the helm, Legion: XX exhibits BURN THE PRIEST in their true element. This LP version is 150g vinyl, Coke bottle color with white and black 'smoke.'
Limited digipak edition including three bonus tracks. 2018 release, the seventh full length studio album from Five Finger Death Punch. And Justice For One features their smash cover of The Offspring's "Gone Away" alongside such rock radio staples as "Sham-Pain, " "When The Seasons Change, " "Blue On Black" and "I Refuse." Since their emergence in 2007, 5FDP has achieved six consecutive two RIAA Platinum-certified and four RIAA Gold-certified albums, while at the same time being one of the top rock streaming acts globally. They frequently play all major festivals and sell out arenas around the globe to countless screaming "Knuckleheads." Their 2018 offering raises the bar once again. The deluxe CD album features three additional songs, including the 2017 rock radio hit, "Trouble."
On British Blues Explosion Live, Joe Bonamassa pays homage to legendary British guitarists Eric Clapton, Jeff Beck and Jimmy Page with his stunning performance of their blues-rock classics. Recorded at Greenwich Music Time at The Old Royal Naval College in London in July, 2016. The 5 piece band included Michael Rhodes (bass), Reese Wynans (keyboards), Anton Fig (drums) and Russ Irwin (rhythm guitar/backing vocals). PBS Pledge campaign running early March. Bonus features include; 2 extra tracks, fan footage and photos.
The album represents a turning point for the quartet as not just musicians, but friends as well. The last few years would prove simultaneously maddening, marvelous, and ultimately majestic for Family of the Year. Started by brothers Joe and Sebastian Keefe, the group made writing retreats to Mount Washington and Bear Valley Springs in order to craft the new music during 2016. However, pressure increased, communication eroded, a once defined creative identity became obscured, and Joe and Sebastian endured the passing of their mom. The turmoil led to a breakthrough for the bandmates. Reinvigorated and re-inspired, they rebuilt their friendships and finished writing and recording with a new creative clarity, going deeper than before.
Produced by Greg Wells (Adele, Dua Lipa, The Greatest Showman), the 12-song set is earmarked by heartfelt introspective storytelling and rich instrumentality, re-emerging with their most hypnotic and heartfelt body of work to date, awash in dreamy hummable harmonies and robust percussion. At the same time, the Keefe's took a moment to look back. The subject matter goes beyond the past few years and encompasses their upbringing in a working class broken home in Martha's Vineyard. "Home" remains a resonant concept throughout. Drummer Sebastian Keefe explains, "We wanted to write something deeper... That had to happen for us to reach our potential for honesty, vulnerability, satisfaction, and creativity."
Otis Redding was on top of the world in 1967, highlighted by a career-defining performance at the Monterey Pop Festival. Returning to Memphis that fall, Redding began to explore different musical influences when he entered the studio to record his next album. Tragically, those sessions were cut short after only a few weeks when the singer died in a plane crash on December 10, 1967, leaving his vision for the album unrealized. While there will never be a definitive idea of what Redding’s next album would have been, this new collection is the first to show what could have been.
Rhino will release DOCK OF THE BAY SESSIONS as part of the ongoing 50th anniversary celebration of “(Sittin’ On) The Dock of the Bay.” This Friday, March 16, marks the actual 50th anniversary of the legendary single topping both the pop and R&B charts in 1968 and becoming Redding’s first #1 hit.
New Vinyl: $9.99 Buy
Indie Exclusive 7” – limited to 1,000 copies
“Greyhound,” a slacker anthem recalling vintage Pavement to “Louie,” all Exile on Main Street-style country-blues slide guitar and choirboy harmonies,” Calpurnia’s songwriting craft belies not only their age but their experience as a collective unit. “It was super fun watching these ideas come to life,” Anderson offers with supreme modesty. “Seeing the stuff we’ve been working on for so long reach its full form is incredible.”
Featuring eleven songs – several of which he co-wrote, including the hit title track – Trent’s debut album on Big Machine Records was recorded in Nashville alongside producers Jimmy Robbins and Scott Borchetta.
“It is surreal that this moment is almost here,” said Trent. “My album is two years in the making, and it was worth every minute. I’m grateful to have taken the time to write songs, which was never something I had never done before. The fact that I have been able to make this album so personal is very special to me."
Bodysong. is Jonny Greenwood’s first original score for a film, and makes up the soundtrack to a BAFTA winning documentary film of the same name, directed by Simon Pummell. Originally released in 2003, the reissue has been remastered by Christian Wright. With artwork by Stanley Donwood. Available on single gatefold LP and CD. Radiohead play sold out shows across North America this summer (including 4 sold out nights at NYC’s Madison Square Garden) . Beyond Bodysong, Jonny Greenwood has also scored: Paul Thomas Anderson films: There Will Be Blood (2007) The Master (2012) Inherent Vice (2014) Phantom Thread (2017) for which he was nominated for an Oscar Along with these additional films: Norwegian Wood (directed by Tran Anh Hung) - 2019 We Need To Talk About Kevin (directed by Lynne Ramsay)- 2011 You Were Never Really Here (directed by Lynne Ramsay) - 2017 “Experience the sound of a life as imagined by Jonny Greenwood, all in the span of 45 minutes.” Paste Magazine “Bodysong boasts an abundance of forward-looking ideas and possibilities, a conversation between melody and cacophony that can provoke with finesse. Not only a worthy side project from one of the most popular groups in the world today, but a valuable addition to the petite canon of successful rock soundtracks that lives and breathes on its merits alone.” Pop Matters “A collage of shimmering, impressionistic strings and pianos that occasionally give way to lightly rocking acoustic guitar interludes, Stockhausen-esque cacophonies and Penderecki-inspired discord. One moment can sound like a church organ, another a Twenties jazz party.” Rolling Stone
Deadpool 2: Original Motion Picture Soundtrack is the compilation of music featured in the Twentieth Century Fox Film Deadpool 2. This 12 track collection features many recognizable hit songs featured in the film, and original songs "Ashes" by Céline Dion and "Welcome To The Party" by Diplo, French Montana, Lil Pump and Zhavia Ward. The new Céline Dion track "Ashes" is also accompanied by an official video, helmed by the film's director David Leitch. The video features Deadpool himself and was filmed in The Colosseum at Caesars Palace, the very venue where Céline hosts her Las Vegas residency shows. About the movie Deadpool 2 - After surviving a near fatal bovine attack, a disfigured cafeteria chef (Wade Wilson) struggles to fulfill his dream of becoming Miami's hottest bartender, while also learning to cope with his lost sense of taste. Searching to regain his spice for life, as well as a flux capacitor, Wade must battle ninjas, the yakuza, and a pack of sexually aggressive canines, as he journeys around the world to discover the importance of family, friendship, and flavor - finding a new taste for adventure and earning the coveted coffee mug title of World's Best Lover. This movie is the follow up to 2016's film Deadpool, a worldwide blockbuster based on the Marvel Comics character of the same name.
As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos. A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment - the fate of Earth and existence itself has never been more uncertain.
Eight-time GRAMMY award winning musician and reggae icon Ziggy Marley will release his seventh full-length solo studio album, Rebellion Rises on May 18th through Tuff Gong Worldwide. Fully written, recorded and produced by Marley, this passionate and indelible new collection of music encourages people to stand together in activism through love. "The rebellion begins in the mind, the melody, and the music," assures Ziggy. "We are a conduit of that. The rebellion is consciousness. Now the consciousness starts spreading, we become aware and we rise." No track embodies this message better than the album's title track and official first single "Rebellion Rises." A manifesto with a chant-like chorus, the song emboldens it's listeners to use the power we all have as instruments of positive change around the world. "The better side of humanity, cannot let the side of humanity that push negativity and hatred be more willing," Marley explained in a recent interview. "It cannot happen. It's a battle of wills. We've got to have more will." Rebellion Rises marks Ziggy's first studio release in two years, following 2016's critically acclaimed self-titled project which took home the 2016 GRAMMY® award for Best Reggae Album and marked his fourth consecutive debut at #1 on the Billboard Top Reggae Album Chart.
Dirty Pictures (part 2) is Low Cut Connie's fifth album. This little act from South Philly continues to dig in their corner of the sandbox, looking for something useful and real to offer their fans. Low Cut Connie is the hardest-working band in show business -- no matter what the pay, what size the venue, no matter what definition of success is applied, Adam Weiner and the rest of the crew try to light the fire at every show and with every record. Dirty Pictures (part 2) reminds all of us, all the little people, to keep our fires lit at any cost.
Edmonton-born and Montreal based singer-songwriter-producer Michael Rault has announced his new album and Wick Records debut (a Daptone Records subsidiary), It's A New Day Tonight, out May 18th. Rault’s new album has the loose-limbed feel of a lost album by '70s bands that bridged the gap between folk rock's open-hearted strumming and power pop's crisp, melody-forward confections—Wings, Badfinger, Big Star, 10cc—yet possesses an energy shot through with 21st-century optimism. The album was recorded by Wayne Gordon at Daptone Studios in Brooklyn NY.
It's been 24 years since AMORPHIS changed the metal world forever with their second album “Tales From The Thousand Lakes”; an epic piece of work that paved the way for one of the most successful Finnish music careers of all time. On twelve albums so far, AMORPHIS has brought us closer to the Finnish national epic, the "Kalevala", toured the world several times, received countless gold records and managed to achieve success after success with their unmistakable mix of metal, folklore and rock. Many winters have since passed through Finland but AMORPHIS is still there and is bigger & better than ever! With their fateful thirteenth studio album “Queen Of Time”, produced by Jens Bogren, the band provides a ground-breaking epic about the rise and fall of civilization. The day has come - the next defining moment in an unprecedented career has arrived.
Recorded and filmed in the German town of Oberhausen, Germany, Overkill pulled out two of their classic records! The first half of the release contains the band performing their entire 1991 classic, “Horrorscope”. The second half contains the band performing their 1985 debut, “Feel the Fire”.
Bombino is an internationally acclaimed Tuareg guitarist and singer-songwriter from Agadez, Niger. His music frequently addresses Tuareg geopolitical concerns and is sung in the Tuareg language of Tamasheq. Deran is Bombino’s (Omara "Bombino" Moctar) follow up record to 2016’s Azel. Deran was recording in Casablanca, Morocco and will be released on May 18th, 2018. Previously Bombino has worked with producers such as Dan Auerbach (The Black Keys) and Dave Longstreth (Dirty Projectors). This album sees a return to his African roots while still pioneering and exploring a new style of Tuareg music which he affectionately calls ‘Tuareggae’ – a sunny blend of Tuareg blues/rock, reggae one-drop and bounce.
Our favorite songs are like one-night stands: passionate or sad, capable of recalling moments with Proustian power. Our favorite artists are lifelong companions: fixtures we turn to for comfort and highs. Over the last two decades, Jason Boland and the Stragglers have delivered and become both. With their new record, Hard Times Are Relative, Boland and the Stragglers stack the smart, road-ready outlaw country longtime fans have come to expect alongside creative risks that flirt with punk and psychedelic sounds. The 10-song collection is a rare blend of instantly gratifying and rewarding of closer listens -- a definitively Stragglers accomplishment. ''It's an upbeat album -- a lot of fast songs, but it doesn't try to be fast,'' Boland says with characteristic insight. ''It just sits in the pocket.''
After the death of his father, T'Challa returns home to the African nation of Wakanda to take his rightful place as king. When a powerful enemy suddenly reappears, T'Challa's mettle as king -- and as Black Panther -- gets tested when he's drawn into a conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people.
Return to Wakanda with the music from the blockbuster Marvel film “Black Panther” composed by Grammy nominee and songwriter Ludwig Göransson. Featuring a dynamic score that includes African elements along with a 40 person choir and traditional orchestration, this vinyl release is a must for any world music or score fan.
Roanoke, VA based indie rock band Eternal Summers returns with their 5th album.
"I've never thought too hard about what our albums should sound like before they are written. I just trust instinct to lead the way." That is the philosphy of Nicole Yun of Roanoke, Virginia based noise pop, power rock trio Eternal Summers. And if you haven't heard of Eternal Summers, you'll have a lot of catching up to do. On June 2, 2015, they will release their fourth full-length album "Gold and Stone" due out on their longtime label, Brooklyn based indie, Kanine Records.
Having formed in 2009, Eternal Summers has now been operating as the trio of Nicole Yun, Daniel Cundiff and Jonathan Woods longer then they did as a duo without Jonathan. Long gone are the days of the Roanoke based collective known as the Magic Twig Community that saw the handful of like-minded indie artists working together; but what has grown in place is a band that stands on its own, in the words of All Music, "The kind that other bands will look to for inspiration 20 years later."
With several previous releases, there has already been a lot said about Eternal Summers music. From the crafty minimalism on their debut Silver, to the dream punk sheen on 2012's breakout Correct Behavior, to the guitar driven power on The Drop Beneath, the evolution of Eternal Summers marks a band that embraces both anthemic rock and bittersweet ballads - a band that is grounded in jangle pop but with an added depth that rewards on repeated listens.
2018 release. Butterflies, Basia's first studio album in nine years, is certain to be an event as it delivers her inimitable, breezy fusion of jazz and Brazilian/Latin sounds topped with her beguiling vocals. Produced and written with her long-time collaborator Danny White, the album is a sparkling set of originals delivered with impeccable musicianship and production that presents her classic sound with a contemporary sheen.
Lords of Acid returns with Pretty In Kink. The new album features all the best of Lords of Acid, the raw techno-carnality of the debut Lust, to the experiments & electro-thrash later albums like Voodoo-U & Farstucker. On Pretty In Kink, stunning new singer Marieke Bresseleers, the legendary Lords mastermind Praga Khan & longtime collaborator Erhan Kurkun create a electro-industrial-techno classic!
Conjuring the image of a lonely all night truck stop along highway 1 on the California coast, all but lost in the fog that comes creeping along the shoreline...this album speaks of the night, the outsider, the plaintive wail of those lost at sea. Sister Orchid was conceived in solitude, executed in darkness - it comes from a place of quiet, a world of low lights and cool drinks.
Nellie McKay has released six acclaimed albums, won a Theatre World Award for her Broadway portrayal of Polly Peachum in The Threepenny Opera, co-created and starred in the award winning off-Broadway hit Old Hats,and written musical biographies around a compelling gallery of ladies - from environmental pioneer Rachel Carson to the life, conviction, and execution at San Quentin of the underdog Barbara Graham, and most recently The Big Molinsky Considering Joan Rivers, as well as A GIRL NAMED BILL The Life and Times of Billy Tipton, named one of the Best Concerts of the Year by The New York Times.
A recipient of PETA's Humanitarian Award in recognition of her dedication to animal rights, Nellie is an annoyingly vocal advocate against war, capitalism and the two-party system that sustains it.
2018 release. Dancing with the Beast puts female characters at the fore, from teenage girls to old women. And intentionally so. With the 2017 Women's March and the #MeToo Movement as bookends to her writing time, Peters knew that a feminist perspective would be the critical core of the record. She admits, "You can trace the feminist DNA in my songwriting back to 'Independence Day' and probably before. The thing that 2017 did is just put it front and center." Though Peters doesn't consider herself a political writer, she is politically minded and, therefore, knew she had to address the 2016 election and all that has happened since... but in her own way. There's a bittersweet beauty to the passing of time - the changes it brings are just as often heartbreaking as they are heartwarming. The inevitable tension that arises from that sway is Gretchen Peters' most trusted muse. With melody supporting that melancholy, the songs on the new album combine to lift the effort over the high artistic bar set by her last outing, 2015's award-winning Blackbirds. Whether a single sentence or a simple setting, once planted, even the tiniest seed can grow into a vision unto itself. Strung together and populated with strong and broken female heroines, those vignettes make up Dancing with the Beast and, indeed, Peters' entire discography. Beauty tempered by dread, sorrow buoyed by hope, these are the ever-present tugs of war that make life worth living and songs worth writing. And they are the over-riding themes that make Gretchen Peters one of her generation's most compelling singer/songwriters.
Crooked Love is Ike Reilly’s 8th studio album and was produced by Reilly and his long time collaborator and guitarist Phil Karnats (Secret Machine’s, Tripping Daisy, Polyphonic Spree). Informed by Reilly’s colorful life experiences, his gallows humor and the current political landscape, the songs are poetic, greasy, topical, lustful, self-deprecating and hilarious. Karnats had witnessed Reilly writing and recording demos in hotels, dressing rooms and tour buses and knew he wanted a production that allowed for confident, relaxed takes. In order to provide the most intimate and comfortable environment possible, Reilly and Karnats created a dark, live room vibe with ancient microphones positioned in covert places that allowed the whole band to be in the same space, unencumbered by headphones and isolation booths. The production is decidedly not slick yet the improvisational nature of the playing is sophisticated in its simplicity. And the songs could not have been written by anyone but Reilly. David Carr from The New York Times said, "Ike Reilly is a kind of natural resource, mined from the bedrock of music. All the values that make rock important to people -- storytelling, melody, rage, laughter -- are part and parcel of every Ike Reilly show I have ever seen. One of the best touring acts in the country, Reilly's band takes it as a personal challenge to upend and amaze every room they play in.”
Limited colored vinyl LP pressing. 2018 release, the first ever solo album from legendary co-founder and former drummer of punk rock icons The Damned. The album contains 11 original tracks and one Louis Prima cover tune recorded over the course of several years. "I have written music ever since I threw together 'Stab Your Back' and have been recording ideas right up until the very week that PHD was due to be mastered. This is the music I created over a period of years - starting then and ending now," says Rat Scabies. Rat self-produced and recorded this album at Arch 8 Studios, as well as handling all arrangements.