Music Releases 10-19-18
Live From The Ryman was primarily recorded during the group’s six sold out nights at Nashville’s legendary Ryman Auditorium in 2017. The double album features 13 live versions of songs from their last three critically acclaimed, award-winning studio albums - Southeastern (2013), Something More Than Free (2015), The Nashville Sound (2017).
Visit recordstoreday.com and enter to win an autographed test pressing which was signed just before they went on stage for another multi-night stand at the "Mother Church".
Modern Rock N’ Roll band Greta Van Fleet to release highly anticipated new album, Anthem Of The Peaceful Army, on 10/19 via Lava Records. Album includes current single “When The Curtain Falls,” which is approaching top 5 airplay at Active Rock radio and is building at Alternative radio. They will re-launch their nearly sold out headlining tour on 9/11 in Canada. Greta Van Fleet recently set a record as the first band in 15 years to hit #1 airplay at Active Rock radio with 2 consecutive singles!
Bohemian Rhapsody is a foot-stomping celebration of Queen, their music & their extraordinary lead singer Freddie Mercury. Defying stereotypes and shattering convention, Freddie became one of the most beloved entertainers on the planet. The film traces the meteoric rise of the band with their iconic songs and revolutionary sound through to Live Aid, becoming of the greatest performances in the history of rock music.
R.E.M. grew up with the BBC, and this historic relationship is lovingly celebrated across an incredible collection that beautifully illustrates the career trajectory of one of modern music’s greatest bands. The collection—available as a super-deluxe edition 8-CD/1-DVD box set, as well as 2-CD, 2-LP and digital formats—comprises a treasure trove of rare and unreleased live and studio recordings culled from the BBC and band archives. This is a must-have collection for R.E.M. fans and an authoritative introduction for newcomers.
Disc 1 - Sessions
Disc 2 - Broadcasts
Stay Out Late is ultimately, the end result of understanding who we are, and more importantly, who we are not.
This will be our 15th year as a band, and our 5th record overall. In the years preceding the making of this record, we all had to define what it meant for us to be happy making music. There are certain mechanisms and tropes we all fall into as a result. And as hard as we may try to emulate what we consider to be higher art, or rather, classic music; we always end up with a Buxton record.
Sergio couldn't write for almost 2 years after 'Half A Native'. The answers to "why" had run dry. We all saw each other, hung out and everything was like normal. I can't really pinpoint the moment it all made sense again. The question had suddenly changed to "why not" and we were back in the studio making demos. There was a lurking sense that nobody would ever hear these songs, and that lead to a sort of creativity I'm not sure we'd really experienced before. All ideas were on the table, and more importantly they stayed on the table.
There are a handful of truly great masterpieces and the attempt of achieving that is one of the most daunting and exhausting pursuits any artist can take on. In the van we're constantly educating ourselves and finding new and in many cases old points of inspiration. Whether it be Mark Hollis, HC McEntire, Mickey Newbury or rediscovering the genius of Bette Midler, we find ourselves at the mercy of our own limitations of expression. Yet somehow in our most vulnerable project, we're simultaneously the most comfortable in our skin as we've ever been.
The core of this record is about being in it for the long haul, looking back, and being able to accept it all. We can only hope that the listener can in some way share and make tangible the joy that went into making this record.
Following twenty albums over 50 years, Yoko Ono's Warzone is a strikingly different record from those she has previously made. Revisiting and reimagining 13 songs from her past work, spanning 1970-2009, the lyrics and messages are still pertinent perhaps even more pertinent-in 2018. Recent US presidents and many of our world leaders have never served in the military, yet they continually nourish and serve the corporate-infused military industrial complex, keeping the world in a perpetual warfare. Warzone further builds the legacy of an artist unparalleled in her unique and singular vision. With it's stripped down recordings and arrangements, and a particular emphasis on Yoko's voice and lyrics, the content of her message rings clear and unencumbered, with wisdom and fortitude her power has intensified with time and life experience.
Empress Of's debut album Me was released in 2015. As the name suggests, it presented a personal exploration of her emotional world. So personal, she says, it was difficult to perform. With Us, Rodriguez wanted to facilitate a more equal exchange of energy between herself and her listeners, to create a "community." "It's not just love songs. It's about different experiences of the heart," she says. "I want it to be like a mirror, and [the audience] sees a little bit of themselves in every song."
Transforming pain into transcendence is the genius of many pop artists, but Doe Paoro brings an entirely new depth to that process. On her third album Soft Power, the L.A.-based singer/songwriter digs into her own frustration and anguish, and ultimately comes away with a newfound strength that’s profoundly inspiring. Soft Power thus bears a raw vitality that marks a major departure from Doe’s previous album. Naming Carole King among her inspirations, Doe notes that the new record’s more urgent feel comes partly from reconnecting with the instinctive approach of her earliest songwriting. Throughout the album, Doe infuses her songs with a rebellious spirit. A passionately charged track about misogyny, “Guilty” blends cascading guitar lines with sharply cutting lyrics (I know I’m not the first / that you made defend her word). “Over” brings classic girl-group harmonies and smoldering vocal work to speak to the song’s central question: Now that I’m older / does it get easier / to get over? Several songs also confront the notion of setting boundaries, with “Projector” centering on “the refusal to let someone else superimpose their story onto yours” and “Walk Through the Fire” emerging as a brutal testament to the fact that “self-examination is ultimately a solo job – and there’s no easy way to do it”. The result is an album that’s undeniably potent in its emotional impact. “One thing I’ve continued to find through writing songs is the ability to alchemize painful experiences into something that’s useful and healing”, says Doe. “For me that’s the highest purpose of music—both in terms of what it offers to me and what I wish to offer to others”. - PRODUCED IN LONDON WITH JIMMY HOGARTH (AMY WINEHOUSE, SIA, CORINNE BAILEY RAE) - SOFT POWER IS THE THIRD ALBUM BY DOE PAORO - FOR FANS OF FLORENCE AND THE MACHINE, ST. VINCENT AND SKY FERREIRA
North Carolinian duo Beta Radio's Ancient Transition - their debut on Nettwerk Records - captures the band's signature blend of organic sounds, delicate synths, and disarmingly beautiful harmonies. The album is a reflection on home and its many different meanings, the wholeness that comes with having a sense of home and the tumult that can come with lacking one.
Ace Frehley is on a roll, and he’s ready to embark on his next musical journey with Spaceman, his third solo outing in four years, and eighth overall. Amongst Ace’s post-KISS recorded output, Spaceman might be the closest link to his widely acclaimed 1978 solo record, both in spirit and execution. First off, Frehley played all of the guitar parts on Spaceman, as well as bass on all but two songs. Longtime drummer Anton Fig, whose friendship with Ace began in that 1978 record, also appears on “Off My Back” and “Pursuit of Rock and Roll” (longtime collaborators Scot Coogan and Matt Starr also play drums on Spaceman). There’s also a thematic, almost biographical, thread running through the album of a long life in rock ’n’ roll, although Ace admits it wasn’t intentional. The first single “Bronx Boy” lays out Ace’s pre-KISS roots, running wild with an Irish street gang called the Ducky Boys. It might be his grittiest song to date, with an opening riff that lashes out like a switchblade. “Pursuit of Rock and Roll” ticks off a list of rockers that made Ace who he is, including Little Richard and the Stones. Frehley also makes it clear that rock is truly all he needs: “So sick of looking at reality TV / and like the Beatles said, you gotta ‘Let It Be.’” “No need to worry, I’ll be home soon, ’cause I’m rockin’ with the boys,” Frehley sings on “Rockin’ With the Boys,” which tells the tales of life on the road. Ace says he wrote the original version of the song back in KISS’s heyday in the ’70s—if you listen closely, it could almost be seen as a rockin’ counterpart to the Peter Criss-penned KISS classic “Beth.” Speaking of KISS brethren, let’s get back to those two songs on Spaceman that Ace didn’t play bass on. One listen of opener “Without You I’m Nothing” should be a dead giveaway. That mighty dinosaur growl of a bass tone belongs to Gene Simmons, who co-wrote that song, along with “Your Wish Is My Command,” with the Space Ace at Frehley’s home studio in Rancho Santa Fe, California. Frehley's reconnection with Simmons and fellow KISS vocalist-guitarist Paul Stanley (who joined Ace on a cover of Free’s “Fire and Water” for 2016’s covers LP Origins, Vol. 1) might be chalked up to the fact that Frehley has been sober for more than a decade (he celebrated 12 years of sobriety in September). Ace’s clean living no doubt has a lot to do with his productive streak, which began with the release of his top 20 Anomaly album in 2009, his top 10 Space Invader LP in 2014 (a first for any KISS member); and continues with Spaceman (a title suggested by Gene Simmons himself). Spaceman is a lean-and-mean nine tracks, and includes what has become a trademark for any Ace joint, a cosmic instrumental. “Quantum Flux” is a classic prog ’n’ roll song from Frehley, with lush acoustics and twin-leads. Fans might also notice the song’s doomy outro, which nods to “Black Diamond” on KISS’s 1974 debut.
A new album from How To Dress Well, titled The Anteroom, will be out October 19th on Domino. Co-produced by Joel Ford (Ford & Lopatin, Airbird), this record plays as a single continuous piece of 21st century psychedelic music and features Krell’s most bewitching sound experimentation to date. Moreover, the stories Krell sings on this record – some biographical, many from the most knotted corners of human life – are deeply personal and human(e). The Anteroom - with its blizzardous electronic noise, fragile melodies and poignant poetry - reclaims the experimental core of the HTDW project.
2018 marks the 50th anniversary of a pivotal year for Stax Records and for American history: 1968. This period immediately follows the untimely passing of Otis Redding; it s the year that Stax parted ways with Atlantic Records, and it's also when Martin Luther King was assassinated in Memphis. This 5-disc CD box set compiles every single (A- and B- sides) released on Stax and its subsidiary labels in '68 over 120 iconic songs from era-defining artists, including Otis Redding, The Staple Singers, William Bell, Booker T. and the M.G.'s, Carla Thomas, Johnnie Taylor, Albert King, Isaac Hayes, Linda Lindell, Rufus Thomas and many more. The package features a 56-page book with in-depth liner notes by Andria Lisle, Robert Gordon, and renowned producer Steve Greenberg, plus rare and never-before-seen photographs from the Stax archives.
State of Euphoria is the fourth studio album by the American thrash metal band Anthrax. It was released on September 19, 1988 through Megaforce/Island Records. The album was produced by Anthrax and Mark Dodson, with Alex Perialas engineering and reached No. 30 on the Billboard 200 chart in late 1988. The songs "Who Cares Wins", dealing with the plight of the homeless, and "Antisocial" were released as singles with accompanying music videos. For the 30th Anniversary, UMe is releasing the album newly remastered by the bands long time drummer Charlie Benante and featuring previously unreleased outtakes from the bands own archive and rare demos on 2 LPs
With their electrifying 5th album now on the brink of its release, Amaranthe take another leap in their sonic evolution. Their most focused work to date, HELIX proves the band has refined their melodic sensibilities ever further whilst retooling their cutting-edge metal assault to be as massively aggressive as ever.
Armed with a dozen pop metal anthems to die and an album with unprecedented crossover potential, Amaranthe is ready to tear down the age-old walls separating metal and mainstream.
Minus the Bear is a product of the first two decades of this century. From their first show in 2001 to their impending dissolution at the end of 2018, the Seattle band thrived on the musical awakening in the era of the mp3, the internet, poptimism, and the crosspollinations generated from an expanded consciousness of new music forms. With their final EP, Fair Enough, Minus the Bear closes the book on their hybrid of art-rock, indie pop, and warehouse party appeal. The opening track “Fair Enough” went through a variety of permutations before the band found new meaning in its lyrical lament of lost passions and finding “the exact moment we turned it off”. The other songs of Fair Enough are a continuation and culmination of Minus the Bear’s diverse sounds. The up-tempo drumbeats, lush electronics, and nimble guitar work that initially set them apart are on full display during “Viaduct”. “Dinosaur” has the groove of early hits of “Fine + 2 PTS”, but crafted with the understated Steely Dan-eque delivery of their more current slow jams. The EP closes with a nod to their ongoing remix collaborations, this time with a rave-up reinvention of “Invisible” by Sombear.
How do we conduct ourselves in extraordinary times? By what metric do we judge our own capacity to make change? In an era where the signal-to-noise ratio is more uneven than ever, what are the measures we must take to retain and remember our own personhood? Neneh Cherry's extraordinary fifth solo album, Broken Politics, asks these questions and more-searching for answers, patiently and with great care, and with a fearlessness to acknowledge that sometimes the answers don't even exist. It's a record that's equal parts angry, thoughtful, melancholy, and emboldening, as Cherry and her collaborators continue to expand her ever-widening sonic palette to craft truly singular and potent electronic pop.
Late in 2014, the Jazz at Lincoln Center Orchestra with Wynton Marsalis welcomed a very special guest to their Manhattan stage: nine-time GRAMMY winning singer, songwriter, actor, and activist Rubén Blades. For one very special night music-directed by the JLCO s bassist and emerging master in the Latin jazz idiom (DownBeat) Carlos Henriquez the worlds of salsa and swing collided. Backed by one of the world s leading big bands, Blades took the audience on a tour through his greatest hits. In their write-up of the show, the New York Times said "Mr. Henriquez s arrangements delivered consistently... Radically beautiful. Now, Una Noche con Rubén Blades captures this historic concert in CD and digital formats. The album finds the Maestro singing some of his own beloved compositions, including Pedro Navaja, Patria, and El Cantante, as well as swinging through standards like Too Close for Comfort and Begin the Beguine, all while backed by the Downbeat Reader s Poll Big Band of the Year (2013, 14. & 15). Pick up this kaleidoscopic, momentous collaboration between two of our most soulful musicians this October 19th.
Warmer in the Winter (Deluxe Edition) is the expanded version of the top selling new holiday album of 2017. The first-ever holiday album from Lindsey Stirling is full of cheerful holiday classics along with 3 original songs. The album features guest artists such as Becky G, Sabrina Carpenter, Trombone Shorty and All Time Low’s Alex Gaskarth. The deluxe edition features 5 additional bonus tracks.
Both ancient and modern cultures rely heavily on rituals. From religious proceedings that date back millennia to daily 21st century routines such as checking social media, humanity gravitates towards ritualistic behavior for the appearance of order and a semblance of control over life’s chaos. Perhaps more than any other art form, ceremonious behavior defines heavy metal. Thousands of fans worship at the altar of a speaker or congregate in person for the sermon of a live show. Two decades into their storied career, Soulfly continue to engender near cultish zeal with each subsequent album and tour. In that sense, the group’s eleventh full-length, Ritual [Nuclear Blast], lives up to the promise of its name with a metallic ceremony of the highest order. The iconic gold-certified quartet—Max Cavalera [vocals, guitar], Marc Rizzo [lead guitar], Zyon Cavalera [drums], and Mike Leon [bass]—cast their word in bludgeoning riffs, thunderous percussion, and menacing growls. Formed in 1997, Soulfly has become a mainstay in contemporary heavy metal. Led by former Sepultura vocalist Max Cavalera, Soulfly has released 10 full-length albums with combined sales of over 1MILLION records. Mixing many styles of metal with Brazilian tribal, world music and punk, Soulfly are known for crafting something completely unique in the modern heavy music landscape. Marketing Highlights -Fronted by Max Cavalera, former vocalist & founder of metal legends Sepultura, Soulfly has released 10 full length albums in the band’s 20+ year career. The band’s previous album “Archangel” debuted at #3 on the US Billboard Hard Music Chart and #130 on the Top 200 -Produced by Josh Wilbur (Lamb of God, Gojira), “Ritual” is chock full of groove that Soulfly is known for while also containing elements of thrash and the feel from Max’s classic albums like “Chaos AD” -Always the touring machine, Soulfly will spend the majority of the summer of 2018 performing all over Europe and the UK -Building up to the release of “Ritual” Soulfly will be releasing several singles, music videos and promo video interviews. The first single “Evil Empowered” will be released on Aug 10 will a track video released on the same date. On Aug 31 the second single “Ritual” will be released with an animated video. The third single “Dead Behind the Eyes” will be released on Sep 14 with a music video. The final single “Under Rapture” will be released on the album’s release date Oct 19 -Advertising in Revolver, Decibel, New Noise and other hard music and lifestyle publications. Banner advertising on Blabbermouth, Metal Sucks, Metal Injection and other hard music and lifestyle sites
New Vinyl: $24.99 $22.99 Buy
25th anniversary reissue of The Cranberries’ debut album that has sold over 5,000,000 in the US and over 600,000 in the UK. They were one of the biggest bands of the nineties and this album includes their global hits “Linger” and “Dreams”. The album has been remastered at Abbey Road (under the supervision of the band’s Noel Hogan) and is now available on vinyl.
Last Building Burning is the product of eight days with producer Randall Dunn (Sunn O))), Wolves in the Throne Room, Boris) in Texas studio Sonic Ranch. Clocking in just over half an hour, the eight-song album sees Cloud Nothings capture their onstage appeal with help from Dunn, who Baldi describes as “technically minded without relying on technology to perfect the live sound.” In that, Last Building Burning is a return to Cloud Nothing’s sharpest form — the unhinged, feverish, guitar-heavy sound that they explode with onstage — without their early angst. “It’s not an angry record,” says Baldi. “It’s a very joyous thing for me. And it feels so nice to scream again, especially when you know people in the crowd will be screaming along back at you.”
New Vinyl: $34.99 Buy
Terry Callier’s The New Folk Sounds of Terry Callieris available as a official vinyl reissue cut from the original analog master tapes. This deluxe reissue features unreleased tracks, new liner notes, and bonus tracks. Almost a lost album, The New Folk Sound of Terry Callierencompasses Terry’s blue’s voice and jazz, soul, gospel music fusion. The New Folk Sound of Terry Callierconveys the promise and power of Callier in his earliest days. It’s a document marking a particular moment, capturing a young man in his element, his voice and songs timeless.
A new live record from the San Diego 3-piece! Seven tracks total (eight on digital), “From the West” is a collection of new live material from the band’s recently released “Black Heaven” album (Mar 2018) as well classic Earthless tracks like “Acid Crusher” and more! CD & digital by Nuclear Blast
New Vinyl: $34.99 $31.99 Buy
Common Blah is the debut full-length by Portland, Maine's Weakened Friends. Founded by songwriter Sonia Sturino, drummer Cam Jones, and bassist Annie Hoffman in 2013, the trio is a low pressure outlet for volatile music. Recorded by Hoffman and perfected over the last year, the songs broadcast heavy feelings amid screech and feedback with little more than a distortion pedal the clog up the signal chain. The album also features guest shredding by peer and kindred spirit J Mascis (on the song Hate Mail).
During the ‘all star jam’ at Progpower USA in 2007, the first musical magic was performed on stage when then After Forever singer Floor Jansen and Pagan’s Mind guitarist Jørn Viggo Lofstad joined forces to do some cover songs. In 2008 the two ‘strangers’ managed to write an entire album in no time. The style of music is not to be compared to the bands we know this duo from. It can be described as melodic rock/hard rock music based on drums, bass, guitars and vocals. Without opera, orchestra’s or progressive elements; back to basic in a mixture inspired by such talent as Skunk Anansie/Led Zeppelin and Foo Fighters. Marketing Highlights -Featuring Nightwish vocalist Floor Jansen and Pagan’s Mind guitarist Jørn Viggo Lofstad, Northward is unlike either of the pair’s previous bands. Comprised of eleven tracks, Northward’s self-titled debut is an upbeat, driving take on contemporary hard rock with big choruses that Floor soars while singing -Leading up to the Oct release there will be a variety of singles, videos, trailers and track-by-track videos from the studio with explanations & stories of the songs. On Aug 24 the first single and video for “While Love Dies” will be released. On Sep 14 the second single and video for the track “Get What You Give” will be released. The third and final single and video for the track “Storm in the Glass” will be released on the album release date, Oct 19 -Advertising in Revolver, Decibel and other hard music and lifestyle publications. Banner advertising on Blabbermouth, Metal Injection and other hard music and lifestyle sites
On his new album, Music Volume 3 - Herb Alpert Reimagines The Tijuana Brass, the beloved and prolific trumpeter Herb Alpert returns to some of his most iconic songs and transforms them with brand new arrangements, recordings, and modern production. Alpert takes material he made famous in the 1960s and infuses it with the style and musicianship that is still earning him accolades after decades of recording and performing. Get ready to hear “A Taste Of Honey”, “Whipped Cream”, “The Lonely Bull”, and many more as you’ve never heard them before!
Reissue of Stunt. Barenaked Ladies originally released their fourth and most successful studio album, Stunt, in July 1998. Stunt peaked at #3 on the Billboard. The album reached platinum status four times in both the US and Canada, and was certified gold in the UK. This year, band will celebrate their 30th Anniversary on October 1, 2018.
Jr. Thomas & The Volcanos’ sophomore effort Rockstone is more than just a love letter to the roots of Jamaican music. It’s an actual love letter. Tom McDowall aka Jr. Thomas explains, “I could write a musical love letter to all things I loved: my wife, my family, my friends, my band mates. I could write a song to tell me to Chin Up when times got tough. I could give gratitude to the Jamaican artists that paved the way for the beautiful music we now call reggae. I could write a song about what it’s like to lose someone important to you. Or write a song to invigorate me spiritually. Music is healing and that’s the best therapy there is for me.” Rockstone isn’t just another throwback record to an era gone by. It’s a record that takes risk within the genre, but more importantly it’s a genuinely honest record. “I called the album Rockstone because true love cannot be defeated. It lives forever. We write tributes on our tombstones because they live on beyond our lives as a remembrance of something special and important to us.”
The critically acclaimed 2018 Public Works musical adaptation of Shakespeare's TWELFTH NIGHT features an original score by award winner Shaina Taub that joyfully combines New Orleans jazz, funk, R&B, music hall, and disco. With a cast comprised of Tony Award-winning Broadway veterans and over 100 community performers, this enchanting comedy follows a young heroine who washes up on the shores of Illyria, disguises herself as a man, is sent to court a countess, but falls in love with a duke.
Vinyl LP pressing. 2018 release. Identical twins Adam and David Moss of The Brother Brothers bring their blood harmonies and real-life observations to carry on the folk tradition for a new generation. With minimal instrumentation, meaningful lyrics, and their incredible harmony blend, the siblings draw on the energy and creativity of Brooklyn, New York, for their full-length debut album, Some People I Know. Growing up in Peoria, Illinois, they sang along as children to their father's record collection of the Kingston Trio, the Everly Brothers, the Beatles, and the Beach Boys. After earning music degrees at the University of Illinois in Urbana-Champaign, the brothers set off on separate musical journeys. This project emerges from the number of years the brothers traveled across the country, both separately and together, playing in other ensembles and sometimes settling in separate cities.