Music Releases 10-18-19
THE ORDER OF NATURE presents a hypnotic meeting of the classical and folk-rock worlds with both classic and brand-new material by Jim James (lead singer of critically/commercially successful My Morning Jacket) and fused with Teddy Abrams’ inspired orchestrations with the Louisville Orchestra.
The science-fiction visionary Octavia Butler once declared that “there is nothing new under the sun, but there are new suns.” The aphorism could apply to any art form where the basic contours are fixed, but the appetite for innovation remains infinite. Enter Clipping, flash fiction genre masters in a hip-hop world firmly rooted in memoir. If first person confessionals historically reign, the mid-city Los Angeles trio of rapper Daveed Diggs and producers William Hutson and Jonathan Snipes have spent the last half-decade terraforming their own patch of soil, replete with conceptual labyrinths and industrial chaos. They have conjured a mutant emanation of the future, built at odd angles atop the hallowed foundation of the past. Their third album for Sub Pop, There Existed an Addiction to Blood, finds them interpreting another rap splinter sect through their singular lens. This is Clipping’s transmutation of horrorcore, a purposefully absurdist sub-genre that flourished in the mid-90s. If some of its most notable pioneers included Brotha Lynch Hung and Gravediggaz, it also encompasses seminal works from the Geto Boys, Bone Thugs-N-Harmony, and the near-entirety of classic Memphis cassette tape rap. The most subversive and experimental rap has often presented itself as an “alternative” to conventional sounds, but Clipping respectfully warp them into new constellations. There Existed an Addiction to Blood absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light: still darkly-tinted and somber, but in a weirder and more vivid hue. The album contains interludes with hissing recordings of demonic invasions, and guest appearances from Griselda Gang’s Benny the Butcher and Hypnotize Minds horror queen La Chat. Other tracks feature contributions from noise music legends The Rita and Pedestrian Deposit. It all ends with “Piano Burning,” a performance of a piece written by the avant-garde composer Annea Lockwood. Yes, it is the sound of a piano burning. There Existed an Addiction to Blood fits neatly into the broader scope of the band’s career, which has seen them expand from insular experimentalists into globally recognized artists. Since the release of their first album in 2013, Diggs has won a Tony and a Grammy (both for his acting/rapping work as Thomas Jefferson and Marquis de Lafayette in Hamilton), as well as co-written and starred in 2018’s critically hailed Blindspotting, while Snipes and Hutson have scored numerous films and television shows. Clipping’s last album, the 2016 afro-futurist dystopian space opus Splendor & Misery was recently named one of Pitchfork’s Best Industrial Albums of All-Time. Commissioned for an episode of This American Life, their 2017 single “The Deep” became the inspiration for a novel of the same name, written by Rivers Solomon and published by Saga Press. But their latest masterwork embodies what the band had been building towards — a work that finds them without peer. This is experimental hip-hop built to bang in a post-apocalyptic club bursting with radiation. It’s horrorcore that soaks up past blood and replants it into a different organism, undead but dangerously alive. It is a new sun, blindingly bright and built to burn your retinas.
‘What’s Going On Live’ features Marvin Gaye’s legendary concert – the only live performance of his iconic 1971 What’s Going On album in full – recorded in February of 1972 at the Kennedy Center in his Washington, D.C. hometown, & notable as Marvin’s first concert after a 4 year hiatus. After being shelved for decades, the recording was eventually released on CD in 2001 within Motown/UMe’s expanded deluxe edition for the What’s Going On album. Never before issued on vinyl or as a standalone CD, What’s Going On Live is newly mixed for its 2019 release by John Morales at M+M Mix Studios and mastered by Alex Abrash at AA Mastering. Packaging includes rare photos from Gaye’s performance and a new liner notes essay by Marvin Gaye biographer David Ritz.
Part 2, like Part 1, was produced by Foals themselves: Yannis Philippakis (vocals/guitar), Jimmy Smith (guitar), Jack Bevan (drums) and Edwin Congreave (keys), with Philippakis and Congreave contributing bass too. The album simmers with the pure visceral intensity which has long been emblematic of the band— “The Runner” and “Black Bull” are streamlined attacks, and this approach also informs“10,000 Feet”— while retaining the opening chapter’s eclectic nature. “Wash Off” marries manic world music-tinged grooves with a punk-like intensity and the cinematic instrumentals “Red Desert” and “Ikaria” underline that Everything Not Saved Will Be Lost is a journey rather than a mere collection of songs.
Fastball's new album, The Help Machine, follows on the heels of the bands acclaimed 2017 release Step Into Light. The new set, on the Austin's TX trio's own 33 1/3 label, once again demonstrates the distinctive songwriting, expressive vocals and inventive melodic sensibilities of Miles Zuniga and his bandmate Tony Scalzo. With drummer, Joey Shuffield completing the longstanding lineup, the trio's time tested creative rapport is a potent as ever on such compelling tunes as Scalzo's White Collar,All Gone Fuzzy and The Girl You Pretend to Be and the Zunga compositions Friend or Foe, Holding The Devil's Hand, and the album's enigmatic title track .
California-based, psychedelic rock band Circles Around The Sun and revered drummer Joe Russo have come together for a four song EP simply entitled, 'Circles Around The Sun Meets Joe Russo.' The electrifying collection stems from a completely improvised recording session at Russo's Brooklyn studio in Winter 2019. The results of the secret collaboration were mixed by legendary recording engineer Jim Scott whose Grammy Award-winning work includes albums by Tom Petty and Tedeschi Trucks Band and Circles Around The Sun's bassist Dan Horne who has an impressive production/mixing discography in his own right with artists such as Cass McCombs, Allah-Las and Mapache. Circles Around The Sun (often shortened to CATS by the band's fans) also features guitarist Neal Casal, keyboardist Adam MacDougall and drummer Mark Levy. The band was initially formed solely to record set break music for The Grateful Dead's "Fare Thee Well" concerts in 2015, but due to popular demand have quickly grown into something bigger than ever imagined, having released two full-length studio albums and touring nationally. It's fitting that they've joined forces with Russo who served as the drummer in Furthur, an ensemble led by original Grateful Dead members, Phil Lesh and Bob Weir. He now also leads the widely popular Dead revival band, Joe Russo's Almost Dead, who sell out shows coast to coast and have appeared at festivals including Bonnaroo, LOCKN and Mountain Jam. 'Circles Around The Sun Meets Joe Russo' captures the purely inspired musical interplay of two giants from the modern improvised rock world in all of its joyous, ecstatic glory.
Fieh (pronounced “fee-ah”) is a band created by Sofie Tollefsbøl, a singer from Eina in Norway, a small village with under a 1000 inhabitants located deep in the Norwegian forest. Sofie draws inspiration from different hip hop and soul artists such as Outkast, D’Angelo and Erykah Badu. The band’s music has evolved a lot since Sofie started releasing her Garageband-produced demos from 3 years ago, and since she attended the Norwegian Academy of Music her solo project has grown into a large band, with elements such as multiple backup singers, a drummer, a bass- and guitarist, a trumpeter and a keyboardist, all of them fellow students at the jazz course at the same school.
Recorded with producer Jay Joyce in Nashville, Tennessee, You Deserve Love marks White Reaper’s Elektra Records debut and follows their celebrated 2017 album, The World’s Best American Band. The album is a collection of smart, sharply-written songs of doubt, dislocation, and elusive and often complicated love. Earlier this summer White Reaper shared You Deserve Love’s lead singles “Real Long Time” and “Might Be Right,” the latter of which has quickly ascended into the Top 30 on Billboard’s ‘Alternative Songs’ chart.
Reflecting on the album title, vocalist / guitarist Tony Esposito explained that the name for the record came from a note on bassist Sam Wilkerson’s phone. “He had written things down he thought might be good album titles, and we were all sitting around at a bar in Nashville after we had just finished recording, vexing about what we were going to call the album.” Wilkerson explained, “I started reading them aloud at the bar, and everyone stopped me at You Deserve Love,” adding, “I think it’s cool, because it’s true for everybody. I think it’s what everybody needs to hear.”
The best musical mavericks never sit still for long. They mutate and morph into new shapes, refusing to be boxed in. Floating Points has so many guises that it’s not easy to pin him down.
Floating Points’ first album in four years, Crush, twists whatever you think you know about him on its head. It’s the producer at his most “unhinged,” he says, a tempestuous blast of electronic experimentalism whose title alludes to the pressure-cooker of the current environment we find ourselves in. It’s the sound of the many sides of Floating Points finally fusing together: the carefree selector, the considered composer and the passionate label curator. But it’s also a sound that, while it’s born out of despair and frustration with the overwhelmingly dark forces around us, manages to provide some hope for compassion. Crush on that.
For over 15 years, Alter Bridge has been a band known for blurring the line between hard rock and heavy metal. Building upon the sound that has won the band worldwide critical acclaim and a devoted global fan base, the band returns with their sixth studio album, Walk The Sky. The fourteen-track opus marks a creative highpoint for the quartet comprised of Myles Kennedy on vocals/guitars, Mark Tremonti on guitars/vocals, Brian Marshall on bass and Scott Phillips on drums. Walk The Sky is a complete career retrospective drawing upon elements from each of the band’s previous releases to create something new from the band. Recorded in a way never done before, the album was born from complete song ideas created by Kennedy and Tremonti. These songs would then be worked on by the entire band to create the fourteen songs that would make Walk The Sky the listening experience it is. This varies from the band’s previous method going back to their sophomore release Blackbird where Kennedy and Tremonti would combine individual ideas and riffs alongside producer Michael “Elvis” Baskette to form some of the band’s most revered songs. From the opening vocal melody on “One Life” to the moving finale of “Dying Light,” Alter Bridge have created a formidable addition to their music catalog. Songs like “Godspeed,” “Native Son” and “Walking On The Sky” are sure to be early additions to the live set. The first single “Wouldn’t You Rather” is quintessential Alter Bridge and “Forever Falling” also marks a lead vocal return from Tremonti with Kennedy taking the chorus as done previously on the Fortress favorite “Waters Rising.” Alter Bridge will be heading out on a worldwide tour beginning in September in the United States before heading over to Europe to close out 2019.
Tony Award–winner Idina Menzel has a career that traverses stage, film, television, and music and in time for the holidays she releases an album of traditional and brand-new songs featuring Ariana Grande, Billy Porter, Josh Gad and her husband, Aaron Lohr. Timed to coincide with the release of Disney’s Frozen 2, which includes Idina’s unforgettable voice in the title role of Elsa, this new album is sure to bring friends and family together throughout the holiday season.
Battles return this autumn with Juice B Crypts on Warp Records to follow their complex, mind-bending predecessors Mirrored, Gloss Drop and La Di Da Di. Their latest album is a sensory overload of information that throws everything you thought you knew about Battles into flux once again. Battles redefined line-up puts Ian Williams (Keys, Electronics) and John Stanier (Drums) at the core of the covertly named Juice B Crypts, which was produced and mixed by Chris Tabron (Trash Talk, Mobb Deep, Ratking). Marrying synthesizer loops, cut-throat drum patterns and cyclical riffs, the album flirts with new technology, questions of authenticity and the technicalities of reinventing the wheel at the eleventh hour.
High Water II continues the band's signature New American Roots Rock sound and follows up 2018's debut High Water I, recorded during the same studio sessions at Dark Horse Studio in Nashville. Since forming in 2016, The Magpie Salute has garnered critical praise from Guitar World, Relix, and Rolling Stone, which summed up their live set as explosive. Having toured with Govt. Mule, The Avett Brothers, and Blackberry Smoke throughout 2018, The Magpie Salute has engaged fans worldwide.
• 18 brand new tracks from The Muffs. • First new album in five years. • Available on CD, Digital, and double-LP. • Vinyl features a laser-etched fourth side. After reissuing The Muffs’ three acclaimed first titles (The Muffs, Blonder And Blonder, and Happy Birthday To Me), it’s only fitting that the brand new Muffs album makes its way out into the world via Omnivore Recordings. No Holiday, The Muffs’ first new album in five years, is a celebration of everything the band has always stood for, and continues to be. Bassist Ronnie Barnett says “I think this new album represents the depth of our band like none of our others. It could have easily been aptly called The Many Moods Of The Muffs. All of our strengths: melody, big rock, sweetness, nastiness . . . All on display and readily apparent. The three of us, after all these years, are a family. The love between us is well represented here. We laid it all out there on this one.” Kim Shattuck (songwriter, guitarist, and vocalist) adds “I wrote the songs between 1991 and 2017. We decided to have a long album and use songs that had been in my arsenal but were weeded out for super concise albums. They were all great songs and we didn’t want them to go to waste. No way!” No Holiday contains 18 tracks on CD, Digital, and a 2-LP set (with laser-etched fourth side). Drummer Roy McDonald: “I think No Holiday is the most unique album we’ve ever made. 18 songs that run the spectrum from full blown productions to intimate home recordings. This was a labor of love for us and I think that comes out in the record. We wanted to create something lasting and special. I, for one, couldn’t be happier with the results.” Welcome back Muffs!
Corridor are a group from Montreal and their Sub Pop debut, Junior, was made just yesterday. The rock'n'roll band had barely inked their record deal when they surfed into studio, racing against time to make the most dazzling, immediate and inventive album of their young career: 39 minutes of darting and dodging guitars, spiraling vocal harmonies, and the complicated, goldenrod nostalgia of a Sunday mid-afternoon. This ain't Corridor's first rodeo. Junior is the band's third full-length and their third recorded with their friend, producer (and occasionally roommate) Emmanuel Ethier. However 2015's Le Voyage Éternel and 2017's Supermercado were made languorously, their songs taking shape across whole seasons. This time Dominic Berthiaume (vocals/bass), Julian Perreault (guitar), Jonathan Robert (vocals/guitar/synths), and Julien Bakvis (drums) permitted themselves no such indulgence. The band were committed to releasing an album every two years, and for Junior it required a blitz. "If you want to release something this fall, we need the masters by the 10th of May," the label had warned them. Winter was already in its last throes: on March 1, Corridor went into studio; in mid-April, Corridor came out. They had somehow created Junior and it was, if we may be so bold, spectacular. Singers, two guitars, bass, drums: the timelessness of the setup underpins the timelessness of the sound, a rock'n'roll borrowing from each of the past six decades—punk and pop, psych and jangle, daydream and swoon. This is music that's muscular, exciting and full of love, its riffs a kind of medicine. Whereas Corridor's past work could sometimes seem overstuffed, twenty ideas to the same song, the new work is hypnotic, distilled. "Part of the beauty of the thing is that we didn't have time to think about it," says Berthiaume. Six of Junior's 10 tracks were conceived during a single weekend. The words to "Bang" were written on the eve of the sessions, as Robert began to panic: "Je payerai tôt ou tard," he sings: I'll pay, sooner or later. Fewer jams, fewer overdubs—no fortnight in the countryside, secluding themselves in a chalet. Even the artwork came in the nick of time: in spite of other, meticulous, masterpieces, Robert's "shitty last-minute collage" (of an egg saying hello) was the one his bandmates went for. That might be Corridor's best trick—their mixture of seriousness and whimsy. Sub Pop have never before, in their 33-year history, signed a Francophone act. Maybe the band's magic springs from their ingenious hooks, their topaz-tinted vision. Maybe it's the panache of Québec's insurgent underground scene, or the camaraderie of Robert and Berthiaume, who have played together since they were 14. Maybe it's their name—a hallway crossed with a toreador. Probably it's all of these, and none of them: Junior is a joy, a hasty miracle, because it's so much damn fun to listen to. This album is 39 minutes; each day has 24 hours; you can listen 36 times before tomorrow.
Winter 1968 and showbiz legend Judy Garland arrives in Swinging London to perform in a sell-out run at The Talk of the Town.
It is 30 years since she shot to global stardom in THE WIZARD OF OZ, but if her voice has weakened, its dramatic intensity has only grown.
As she prepares for the show, battles with management, charms musicians, and reminisces with friends and adoring fans, her wit and warmth shine through. Even her dreams of romance seem undimmed as she embarks on a courtship with Mickey Deans, her soon-to-be fifth husband.
And yet Judy is fragile. After working for 45 of her 47 years, she is exhausted; haunted by memories of a childhood lost to Hollywood; gripped by a desire to be back home with her kids. Will she have the strength to go on?
Featuring some of her best-known songs, including the timeless classic ‘Over the Rainbow’, JUDY celebrates the voice, the capacity for love and the sheer pizzazz of “the world’s greatest entertainer
Between 1927, and their disbanding in 1943, the Original Carter Family recorded over three hundred songs. A.P. Carter, his wife Sara Carter, and Sara’s first cousin Maybelle Carter were the first country band to be inducted as Members of the Country Music Hall of Fame. These are recently discovered recordings between Sara and Maybelle from the 60'.s John Carter Cash has added 4 more generations of the Carter family to these recordings. This is The Carter Family Across Generations.
Coming 10/18 on heavyweight 180 gram colored vinyl in a beautiful gatefold jacket with digital download card inside. The theme is the interactivity of inspiration: how our minds and imaginations ricochet off each other; our ideas, our thoughts and dreams all reflecting in a constantly escalating cycle of creativity. Collaborative interaction is at the core of our musical ethos, and we welcome the likes of Telefon Tel Aviv, Hailo, Born I, Peekaboo, Jantsen, Sunru, Kyrian, and the UK’s own RD.
Fear Caller is a return to form for The Almost. Many tracks feel like a return to Southern Weather, the debut album from 2007 and best selling record for The Almost. Fans of Southern Weather will love this record. Most tracks are full band, a few are acoustic. It features a cover of U2’s “In God’s Country.”
Welcome to the sound of Garcia Peoples at full speed. Without losing a ray of sunshine or a drop of dew, 'One Step Behind' is the first major statement by the malleable Brooklyn sextet. The 32-minute title cut highlights the twin guitars and songwriting of Tom Malach and Danny Arakaki and, instead of pointing itself towards one possible future for the band, just zaps itself square into the thick of it. Encompassing a range of moods and scenes in one flowing arc (plus a coda), it's less a piece of music to listen to than it is a zone to occupy, a portal for all open-eared heads. The band's third album in a year-and-a-half, 'One Step Behind' is unquestionably their boldest yet. Whether or not you thought you knew Garcia Peoples' music, 'One Step Behind' is something new and beautiful, for new heads and old. No matter where you stand--behind, beyond, or another plane altogether--'One Step Behind' is ready. For those about to get on the Bus, we salute you.
Out October 18th, Singles Too is a complete collection of Screaming Females' non-album recordings, gathering the band's early 7' singles, digital-only b-sides, rarities, and one pretty great remix. The digital version also gathers six cover songs, including the New Jersey trio's re-works of songs by Neil Young, Taylor Swift, Sheryl Crow, and Patti Smith. The tracklist -- which is arranged chronologically -- provides a roadmap of the band's progress through 15+ years, seven albums, and countless tours. 'On the first single we ever put out, there were mistakes that I made playing guitar that make me want to crawl in a hole and die,' says guitarist Marissa Paternoster, recalling the sessions for 'Arm Over Arm' and 'Zoo of Death.' 'At the time I didn't know I was allowed to say, 'Can I do that again and correct it? I was 19, giving it my all.' On Singles Too, you can hear Screaming Females lay it down at Milltown, NJ's post-apocalyptic recording-on-a-budget one-stop, The Hunt -- tin roof, flammable mixing board, DIY growlab housed in back of Marshall cab -- AND at posh Los Angeles hit-factory, East West Studios, where they convened with members of Garbage to cover 'Because the Night.' The b-sides included here also capture the breadth of the trio's creativity, with compelling detours and tangents otherwise unrepresented in their catalog -- from Sammus and Moor Mother's re-work of 'End of My Bloodline' to the stripped down demo of Rose Mountain's 'Hopeless.' And it doesn't hurt that Singles Too is also full of hits, even though they're other people's hits, though -- much loved cover versions of classics by Sheryl Crow, Taylor Swift, Neil Young, Patti Smith, and more. Singles Too is a rarities comp, yes, but it's a very, very compelling one, gathering Screaming Females most obscure original material together with it's best-known performances of other people's songs. A deep dive, an introduction, and a history lesson all at once. Formed in 2005, Screaming Females are Marissa Paternoster (guitar), Mike Abbate (bass), and Jarrett Dougherty (drums). They have released seven full-length albums and toured across the world.
Keb’ Mo’s first collection of holiday music, Moonlight, Mistletoe, & You, is a charming collection of both original songs and covers of lesser-known classics. The album is a celebration of the holiday season, Keb’ style, full of yuletide greetings and bluesy cheer.
The Pilgrim is the 10th studio album from Marty Stuart, originally released in 1999. A concept album, it tells the story of a man (The Pilgrim) from Marty Stuart's hometown of Philadelphia, Mississippi. Marty plays the role of the Pilgrim, as well as other roles. The album features many country/bluegrass legends as guest stars, including Emmylou Harris, Pam Tillis, George Jones, Ralph Stanley, Earl Scruggs and Marty's old boss, Johnny Cash. First time on vinyl. 2-LP black vinyl. Includes 8 track bonus CD w/ alternate & demo versions of tracks from the album
KIN marks Electric Guest’s first LP in two years as well as the duo’s first new music since Taccone earned a 2019 GRAMMY® Award for co-writing and co-producing Portugal. The Man’s worldwide smash single, “Feel It Still.” Co-produced by Lars Stalfors (St. Vincent, HEALTH, Foster the People), the album sees Taccone and Compton pushing modern pop towards their own unique worldview, melding sunshine soul grooves and sugar candy hooks with ambitious production and a subversive lyrical power.
Norwegian black metal titans 1349 have returned with their long awaited seventh full-length: 'The Infernal Pathway'. The album promises a journey through chaos and madness, darkness and peril, terror and annihilation.
1349 is AURAL HELLFIRE. That has been, and continues to be, the primary concept since the band first rose from the ashes of Alvheim in 1997. Conceived around the founding members - vocalist and former drummer Ravn, guitarist Tjalve, and Seidemann on bass - 1349 completed their line-up with the addition of guitarist Archaon in 1999 and SATYRICON drum-legend Frost in 2001.
When their debut 'Liberation' was unleashed in 2003, the Norwegians took the world by storm with their intense blend of old school black metal soundscapes and ultra-fast aggression. Further assaults followed in rapid succession. 'Beyond the Apocalypse' (2004) and 'Hellfire' (2005) cemented the band's reputation as one of the strongest acts in the scene.
Upon the departure of founding member Tjalve, who decided to focus on his band PANTHEON I, 1349 have since continued as a four-piece – occasionally adding guest guitarists. Extensive touring aided the growth of their now massive following when the four piece opened for reunited metal legends CELTIC FROST in North America in 2006.
Impressively demonstrating that holding true to the principles of the genre do not mean nostalgia and stagnation, 1349 widened their sonic palette with 'Revelations of the Black Flame' (2009), which was co-mixed by CELTIC FROST mastermind Tom Gabriel "Warrior" Fischer. This inspired a newfound ambient darkness from the band, which was further explored on 'Demonoir' (2010).
'Massive Cauldron of Chaos' (2013) was the next milestone in the Norwegians merciless advance, scoring excellent reviews and a nomination for a Norwegian Grammy (Spellemannprisen). The release sparked more festival shows as well as extensive touring, bringing 1349 to Australia and New Zealand. In 2018, the Munch Museum and Innovation Norway chose 1349 as one of four bands to create a song based on the paintings of Edvard Munch. As a result, the single 'Dødskamp' was released earlier this year.
After performing a fiery show at Norway’s Inferno festival this year, 1349 started recording in Amper Tone studios and Studio Nyhagen with engineer Jarrett Pritchard. Thus, 'The Infernal Pathway’ was born, a sonic parallel to summoning and unleashing the beast of the abyss in all its fearsome, ferocious and powerful splendor.
New Vinyl: $34.99 $31.99 Buy
Opaque red with black starburst Vinyl - Formed in Umea, Sweden in 1991, hardcore-punk legends Refused are broadly considered one of the most influential rock bands of the early00s.
Their fifth full-length studio album 'War' Music' will be out Oct. 18th.
Refused is Dennis Lyxzen (vocals), David Sandstrom (Drums), Kristofer Steen (guitar), Magnus Flagge (bass) and Matthias Barjed (guitar).
There is an old Norse myth that says the great northern glaciers stored energy until they burst with fluorescent light, creating the Aurora Borealis. Saariselka is inspired by the meeting of earth and light, where slowly moving land masses merge with enveloping light fields. This sonic collaboration between composers Marielle Jakobsons (Fender Rhodes, organ, synthesizers) and Chuck Johnson (pedal steel guitar and treatments) is as expressive as it is enigmatic. On their debut album, The Ground Our Sky, a kind of new ambient Americana is unearthed and explored. The respectively singular artistry of Jakobsons (who previously cofounded the beguiling Date Palms) and Johnson collectively craft a universe of remarkable resonance. It is a vibrant, seemingly infinite sway of sounds that exists unmoored in time and space. The Ground Our Sky gets it's lift by pondering the universe not while staring up at the sky, but rather down at the ground - gazing into the earth, where we are all individually and collectively a meeting of the ground and the sky. This inverted perspective is at the heart of Saariselka's music. That feeling of becoming ungrounded is universal and inevitable - and increasingly necessary to seize those rare opportunities for meaningful changes in perspective.
Montreal’s premier blackened death metallers are back with 'UNUS', the crushing and cinematic follow up to 2016’s 'Advent of the Human God'. With each record NECRONOMICON has created in the span of their 31-year career, the band has steadily evolved in both sound and power; 'UNUS' is no exception to this.
Inspired by H.P. Lovecraft’s legendary grimoire, NECRONOMICON formed in 1988 by founding guitarist and singer Rob "The Witch" in the deep, northern part of Canadian province Quebec, Fjord of Saguenay. Since then, the band have carefully released each full-length without haste, allowing them to perfect every nuance before unleashing their sonic assaults upon the masses. In 2019, NECRONOMICON was presented with a certificate of honor for over 30 years of service via H.S. production/Tommy Tremblay, and the people of Saguenay Lac St Jean, making them the second band after VOIVOD to ever receive this honor.
'UNUS' is a searing cacophony of blistering riffs, machine-like drums, and a symphonic ambience, culminating in a sound that calls to various metal icons such as DIMMU BORGIR, SEPTICFLESH, BEHEMOTH, and DEICIDE. The record combines the furious elements of death metal with the orchestral prowess of black metal, creating the perfect synthesis of both genres. Standout tracks like “Paradise Lost” and “Singularis Dominus” only solidify NECRONOMICON’s ability to continuously produce high quality metal that’s just as dark and brutal as it is elegant.
Maybe Moldova wasn’t exactly been an extreme metal hotspot a couple of years back – but that sure as hell changed when Infected Rain appeared: After a handful of mind-boggling releases and stunning live shows at the biggest international festivals the unpredictable five-piece is now ready for the ultimate leap with Endorphin! The previously released ‚The Earth Mantra‘ is an unrelenting baring of the teeth, full of twisted time signatures, haunting whispers and promises of a better future for our world. Hypnotic and violently twitching ’Lure‘ is another prime example of Lena‘s out-of-this- world vocals, lethally groovy riffs and mesmerizing, psychotic elements. Let‘s not be silly and claim that the future belongs to Infected Rain – because they simply ARE the future!
Two years on from her blistering debut, A Suitable Girl, Ali Barter announces her triumphant return with Hello, I'm Doing My Best. This revealing collection of songs explores her most formative relationships with her body, her instincts, her sobriety and her connections to the people she loves most. Hello, I'm Doing My Best is a sentiment almost anyone can relate to, and that universality is the undeniable pull of Ali Barter's work. From her breakout single ''Girlie Bits'' to recent cut ''UR A Piece Of Shit'', Barter spins sobering honesty through sugary pop songs with a one-two punch of staunch self-assurance and touching vulnerability that is uniquely her own.
72-year-old bluesman Jimmy “Duck” Holmes’ new album, the Dan Auerbach produced Cypress Grove, captures the raw, explosive sound of real Mississippi Juke-Joint Blues today. Cypress Grove is an aural postcard of a typical Saturday night at Holmes’ Blue Front Café, America’s longest operating juke joint. The album is anchored by tradition — which is natural, since Holmes is the last of the original torchbearers of the rural style known as Bentonia blues—but it’s also explosive, raw, and unpredictably in the moment. Featuring an all-star cast of players including Auerbach, Marcus King, Eric Deaton and Sam Bacco, as well as Holmes’ repertoire of songs spanning nearly a century, the adventurous 11-song set is an untamed bridge between the present and the classic sounds of the Delta. Recorded at Auerbach’s Easy Eye Sound Studio in Nashville, TN.
Growing up in the suburbs of Ontario, CA sisters Harmonie and Heaven Martinez have been playing music before they could walk and songwriting since middle school. It was when the two brought a few friends into the equation that they formed what is now an Indie rock band they call Ariel View. With Harmonie Martinez (vocals/lead guitar), Heaven Martinez (vocals/bass), Miranda Viramontes (rhythm guitar), and Nadina Parra (drums), Ariel View have played countless DIY and club shows across Southern California. Influenced by garage, surf, psych rock, emo, and pop punk, Ariel View make music you can dance to, party to, sing along to, or maybe even cry to if that strikes the mood.
Danish duo Bremer/McCoy's music is a meditative and intense blend of jazz and dub created entirely via analog process. No computers are involved; they record everything straight to tape in their own studio. These two childhood friends tour with their own soundsystem to ensure adequate depth in the lower frequencies. Their new album, Utopia, was recorded over two cold and windy Copenhagen weeks in sessions plagued by malfunctioning gear, the band overcame these setbacks and recorded some of the clearest melodies and conceptual passages they have put to tape. In pieces such as 'Åben bog' they draw on Danish folk music as a base from which they work from more classical composition to a free-form and trouble-free place. The album's closing track, 'Determination,' stays true to its title and is a song without hesitation, finishing what the band sets out to do.
Holding fast to the emotional honesty of 'Playing House' (2017), Common Holly's sophomore record, 'When I say to you Black Lightning' is a look outward; an exploration of the ways in which we all experience pain, fear and self-delusion, and how we can learn to confront those feelings with boldness. Common Holly is the one woman project of Montreal's Brigitte Naggar, who has been profiled in Stereogum, BUST, Billboard and more.The new record is more experimental than her debut. It is rougher, looser, louder and more atonal. It feels edgy, but still kind. 'When I say to you Black Lightning' ditches fear without losing vulnerability, and trades in sadness for the healing powers of anger, and the strength of observing, recognizing and confronting through its nine labyrinthian yet catchy tracks, shaped sonically by the seriously unique visions of Devon Bate, Hamish Mitchell, and Naggar herself, the album observes the complexities of mental health, the precarity of life, and the challenges of finding strength in the face of grave misunderstanding.
Expanded edition. 2018's Halloween, directed by David Gordon Green, starring Jamie Lee Curtis, and with music by series creator John Carpenter (along with his son and godson, Cody Carpenter and Daniel Davies) was a critical and box-o ce smash. It grossed $159 million against a $10 million budget, becoming the most pro table Halloween movie since the 1978 original. The soundtrack album was a hit, too, debuting at #12 on the Billboard Albums chart and #2 on the vinyl chart, on it's way to becoming one of the most successful movie soundtracks of the last decade. One year later, Sacred Bones Records is pleased to present an expanded edition of the soundtrack, including more than 28 additional minutes of music from the lm and presenting a more complete, immersive listening experience.
Stephen Bishop is a world-class guitarist, vocalist, and songwriter with a celebrated career of over four decades of live performance, song craftsmanship, recording, and entertainment. A San Diego native, Stephen Bishop’s introduction to the music industry was after seeing the Beatles perform on The Ed Sullivan Show, at 13 years old. His brother Denny bought him an electric guitar which inspired him to take his poetry and convert it into songs. He began creating his own unique chords, melodies and writing original songs. The first song he ever wrote was called, “Surf’s Turf,” an instrumental. Less than a year after picking up the guitar, Stephen formed a band called, “The Weeds.” Soon after, they began performing at local venues, playing a mixture of original songs and popular hits on the radio at the time. As a band, the Weeds placed second at the Claremont Battle of the Bands in 1966. After the Weeds disbanded, Stephen ventured to Los Angeles in the hopes of landing a songwriting contract. Stephen walked the streets of LA in the early 1970’s with nothing more than a $12 guitar. He began playing songs for different publishers in the area and landed a deal with Edwin H. Morris Publishing in Hollywood. Stephen was paid $50 per week. During his first few years at the publishing company, only one of his songs was recorded. At one point, Stephen considered leaving Los Angeles to work for his father’s insurance company in San Diego. However, his friend Leah Kunkel connected him with Art Garfunkel. Art recorded two of Stephen’s songs on his album, Breakaway. Shortly thereafter, Stephen was signed to ABC Records. He released his first album, Careless, which had two popular hits, “On and On,” and “Save It For a Rainy Day.” It became gold certified, as well as his second album, Bish. Stephen Bishop has released 17 albums and has played his songs personally for Barbra Streisand, Diana Ross, Bette Midler, Melissa Manchester, and Katy Perry. His newest album, Blueprint was released in 2016. In Eric Clapton’s autobiography, he mentions Stephen Bishop as one of his favorite songwriters
LuckyMe proudly present the new album from Jacques Greene ~ Dawn Chorus. The record is bold step forward and his most collaborative project to date, featuring additional production and instruments from film composer Brian Reitzell (Lost In Translation), cello by London's Oliver Coates, additional production from Clams Casino and vocal contributions from ambient artist Julianna Barwick, rapper Cadence Weapon and singers Ebhoni and Rochelle Jordan. If the Canadian artist's 2017 debut album Feel Infinite was the soundtrack to a dream pregame ' amping you up to lose yourself in the club ' then Dawn Chorus resides in the post-rave reflective moment. A time of heightened sensuality and latent possibility. Now 29, Greene has been making music 'about the club' for over a decade. His sound could be described as an emotional haze, in that its balance of sonic elements work to illuminate the overlapping feelings that lie between the familiar binaries. Dawn Chorus opens with 'Serenity,' an all-back-to-mine breaks tune that Greene describes as 'a weird, euphoric take on Chemical Brothers.' Lead single 'Night Service' is a neon-lit hip house anthem helmed by Canadian rapper Cadence Weapon, who drapes a love letter to the club around Greene's acid-dipped synths. Elsewhere, 'Distance' blends ambient textures with sampled birdsong and the snaking lines of Oliver Coates's cello.
Double LP. Side D contains a custom etched design
The Highwomen are a cleverly named new supergroup comprising country and roots rock stars Brandi Carlile, Amanda Shires, Maren Morris, and Natalie Hemby. After a few months of teasers and a soft debut at April’s Loretta Lynn tribute, they’re making their official introduction to the world.
The group has announced its self-titled debut album, out in September and produced by Dave Cobb, the Nashville mainstay who always seems to be behind the boards for these types of projects. (He’s also produced recent albums by Jason Isbell, Sturgill Simpson, Chris Stapleton, Lori McKenna, Ashley Monroe… you get the idea.) The album features 12 songs written by various combinations of the core members plus some notable collaborators like Isbell, McKenna, Miranda Lambert, and Ray LaMontagne. It features guest appearances from Isbell, Cobb, Sheryl Crow, Yola, the Hanseroth twins, Chris Powell, and Peter Levin.