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Angel Olsen

Whole New Mess [Clear Smoke Translucent LP]

$22.98

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The time had come, Angel Olsen realized in the fading summer of 2018, to take her new songs out of the house. Olsen’s 2016 marvel, My Woman, had been a career break through, but it catalyzed a period of personal tumult, too: a painful breakup, an uneasy recovery, an inadequate reckoning. At home in North Carolina’s Blue Ridge Mountains, Olsen penned songs that finally grappled with these troubles, particularly love—how forever is too much to promise, how relationships can lock us into static versions of ourselves, how you can go through hell just to make someone else happy. These heartsore explorations shape WholeNew Mess, Olsen’s first solo album since her 2012 debut and an emotional portrait so intimate and vulnerable you can hear her find meaning in these crises in real-time.At least nine of the eleven songs on Whole New Mess should sound familiar to anyone who has heard All Mirrors, Olsen’s grand 2019 masterpiece that earned high honors on prestigious year-end lists and glossy spreads in stylish magazines. “Lark,” “Summer,”“Chance”—they are all here, at least in some skeletal form and with slightly different titles.But these are not the demos for All Mirrors. Instead, Whole New Mess is its own record with its own immovable mood, with Olsen working through her open wounds and raw nerves with just a few guitars and some microphones, isolated in a century-old church in the Pacific Northwest. If the lavish orchestral arrangements and cinematic scope of AllMirrors are the sound of Olsen preparing her scars for the wider world to see, Whole NewMess is the sound of her first figuring out their shape, making sense for herself of these injuries. Considered alongside All Mirrors, Whole New Mess is a poignant and pointed reminder that songs are more than mere collections of words, chords, and even melodies. They are webs of moods and moments and ideas, qualities that can change from one month to the next and can say just as much as the perfect progression or an exquisite chord. In that sense, these 11 songs—solitary, frank, and unflinching examinations of what it’s like to love, lose, and survive—are entirely new. This is the sound of Angel Olsen, sorting through the kind of trouble we’ve all known, as if just for herself and whoever else needs it.
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Furnace Room Lullaby is a sought-after fan favorite. This limited edition Turquoise Vinyl re-pressing of this Neko Case classic celebrates the 20th anniversary of its initial release, with audio that was remastered from the original analog tapes in 2015. 

Furnace Room Lullaby is the second album by Neko Case, originally released in 2000. Case’s vocals are superb from front to back, as smooth and fiery as good brandy, and her revolving circle of musicians (including Ron Sexsmith and Kelly Hogan on backing vocals) are subtle and beautifully evocative, balancing sorrow and good times with an easy grace.

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Public Enemy

What You Gonna Do When The Grid Goes Down? [LP]

$29.98

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Single Disc Black Vinyl & Standard Weight

Public Enemy and Def Jam have reunited to officially release Fight the Power (Remix 2020),” the explosive remix that opened the 2020 BET Awards in June featuring Nas, Rapsody, Black Thought, YG, Jahi and Questlove. Fight the Power (2020 Remix),is the first offering from the groups forthcoming new studio album What You Gonna Do When The Grid Goes Down, set for release via Def Jam on September 25th.

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The War On Drugs

Live Drugs [Transparent Purple 2LP]

$28.98

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Culled from over 40 hard drives of recorded live shows spread out across years of touring behind multiple critically acclaimed records, LIVE DRUGS is unlike anything previously available in The War on Drugs’ catalog.

The first volume to capture the band’s live interpretations, LIVE DRUGS is a document showcasing the evolution of the band’s live show over the years. Additionally, LIVE DRUGS is a portrait of the enduring relationship between Adam Granduciel and Dominic East. A longtime friend, guitar tech and stage manager, East is LIVE DRUGS’s co-producer and the presence Granduciel credits as holding everything together.

Sequenced to reflect how a typical 70-minute set would flow, LIVE DRUGS thrives on live set staples immortalized on record for the first time. This includes “Buenos Aires Beach” from the band’s 2008 fulllength debut, Wagonwheel Blues, and the longtime musical interlude flowing between “Under the Pressure” and “In Reverse” - which bookend 2014’s Lost In The Dream. There’s also the band’s essential cover of Warren Zevon’s “Accidentally like a Martyr” – a song “so true, you should ever be lucky to write a song that simple,” Granduciel says.

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Surfer Blood

Carefree Theatre [Blue LP]

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Surfer Blood's Carefree Theatre, out May 1, 2020 on Kanine Records, is their fifth studio album. The Carefree Theater in West Palm Beach, FL was the only real venue in town for most of John Paul Pitts childhood. It was where he would go for anything from shows to theatrical productions. It was just the kind of exposure that showed him there was a whole world outside of Florida, the kind of experience that would inform a twenty-one year old student to drop out of school and start a band. He did just that. Surfer Blood's rise was remarkable - and just recently recounted in detail with the 10 year anniversary of their debut and breakout album Astro Coast. A decade ago. That's a long time. Where a lot can happen. On May 1, 2020, Surfer Blood will release Carefree Theatre an album that bring them full circle. Pitts returned to Florida, returned to Kanine and created an album worth of short pop songs.

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Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst’s early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes’ music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It’s a study of the beauty in unsteadiness in all its forms – in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it’s just about searching for a way through.
 
The year 2020 is full of significant anniversaries for Bright Eyes. Fevers and Mirrors was released 20 years ago this May, while Digital Ash in a Digital Urn and I’m Wide Awake It’s Morning both turned 15 in January. The latter, a singer-songwriter tour-de-force released amidst the Bush presidency and Iraq war, wades through incisive anti-war rhetoric and micro, intimate calamities. On the title track and throughout the record, Oberst sings about body counts in the newspaper, televised wars, the bottomless pit of American greed, struggling to understand the world alongside one’s own turmoil. In its own way, I’m Wide Awake It’s Morning carved out its place in the canon of great anti-war albums by being both present and prophetic, its urgency enduring 15 years later.
 
In 2011 the release of The People’s Key, Bright Eyes’ ninth and most recent album, ushered in an unofficial hiatus for the beloved project. In the time since, the work of the band’s core members – Oberst, multi-instrumentalist Mike Mogis, and multi-instrumentalist Nathaniel Walcott – has remained omnipresent, through both the members’ original work and collaboration.
 
In recent years, Mogis produced records for beloved folk acts First Aid Kit and Joseph, among others, as well as mixed the fine-spun ennui of Phoebe Bridgers’ breakthrough 2017 debut, Stranger in the Alps. Mogis and bandmate Walcott also teamed up to write the original scores for The Fault in Our Stars, Stuck in Love, and Lovely Still, and Walcott worked as a solo composer scoring number of independent feature-length films. Walcott spent extensive time on collaboration; in addition to his arrangement work for Mavis Staples, First Aid Kit, and M. Ward, he contributed studio work to artists ranging from U2 to jazz guitarist Jeff Parker, and also toured heavily as a member of the Red Hot Chili Peppers. 
 
Oberst, who’s nearly 30 years into a prolific musical career, spent the last decade in similarly productive fashion. Across three years he released a string of solo albums: Salutations (2017), Ruminations (2016), and Upside Down Mountain (2014), as well as guested on records by First Aid Kit, Phoebe Bridgers, and Alt-J. His punk band, Desaparecidos, emerged from a 13-year hiatus in 2015 with the thunderous sophomore LP, Payola, a white-knuckled disarray of hollered political fury. And at the top of 2019, Oberst and Bridgers debuted their new band, Better Oblivion Community Center, digitally dropping the critically-lauded eponymous debut LP alongside a surprise performance on The Late Show with Stephen Colbert.
 
The heart at Bright Eyes’ songwriting still looms culturally, in films and TV shows and through re-imaginings by other artists. Mac Miller covered both “Lua” and “First Day of My Life”; Lorde’s version of the penultimate The People’s Key track, the funereal-waltz “Ladder Song,” was a focal point of The Hunger Games’ soundtrack; The Killers covered “Four Winds” for their Spaceman EP; and Lil Peep’s “Worlds Away” samples “Something Vague” while Young Thug’s “Me Or Us” samples “First Day of My Life.”
 
Bright Eyes’ expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes’ singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someone else’s song – a moment of understanding or illumination, knowing you’re on the same team looking for a way to move through of all this shit.
 
And while 2020 is a year of milestones for the band, it’s also the year Bright Eyes returns, newly signed to indie label Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Oberst, Mogis, and Walcott reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes’ output. For Bright Eyes, this long-awaited re-emergence feels like coming home.

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COLOR LP: S&M2, the live set from Metallica & The San Francisco Symphony is the concert event of the year! S&M2 features 20 songs (over 2.5 hours of music) from the two-night event that opened San Francisco’s new Chase Center, with many Metallica fan favorites and 2 unique classical songs chosen by San Francisco Symphony Musical Director Michael Tilson Thomas. S&M2 has newly re-mixed and remastered audio for a whole new sound from the original theatrical run in October 2019. Four marbled orange LPs with a 16-page 12x12 booklet featuring photos by Anton Cobijn. Download card included. Exclusive to independent retail and Metallica.com.

Metallica and San Francisco Symphony’s September 6 & 8, 2019 S&M2 concerts were historic on multiple levels: They served as the grand opening of San Francisco’s Chase Center, reunited the band and Symphony for the first time since the 1999 performances captured on the Grammy-winning S&M album, and featured the first-ever symphonic renditions of songs written and released since those original S&M shows.

The sold out shows were rapturously received by the 40,000 fans who traveled from nearly 70 countries, as well as the media: Rolling Stone raved “the group proved that anything was possible,” Variety noted an atmosphere “buzzing with excitement,” while the Mercury News witnessed "a concert that fans will be talking about for decades to come,” and Consequence of Sound hailed "a true celebration of Metallica and their musical prowess.”

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Sufjan Stevens

The Ascension [Clear 2LP]

$36.98

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The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens’ Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as “restrained and meticulous” while Pitchfork declared it “a masterpiece.”

In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).

The Ascension is musically expansive and sweeping in thematic scope.

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"I consider Jerry one of the absolute best songwriters of our generation and wanted to make an album that, above all, backed up that argument. I wanted to capture the songs in their purest forms with only the embellishments that I thought would further that case. My rule of thumb was if it didnt further the narrative it should be left off. That applied to instrumentation as well as the songs themselves. Jerry, to his credit, signed on enthusiastically, even though it often pulled him far out of his comfort zones. He responded by bringing in some of the greatest songs hed ever written and he threw himself into each and every performance. 
 
Most likely, if you know who Jerry is, you agree, but theres also a big chance that you dont. His talent, drive, work ethic, amazing body of work and flat out badassness makes him one of the most underrated and tragically overlooked artists alive today. He deserves better and Im hoping to help shine a light on who and what Jerry Joseph is and why you should listen to what hes doing and saying" - Patterson Hood, Drive By Truckers 
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Phish

Phish - Sigma Oasis [Seafoam/Black LP]

$26.98

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Double green and black vinyl LP pressing. 2020 release. Sigma Oasis is the 15th studio album by Phish. The album was recorded at their studio The Barn and was produced by the band and Vance Powell.
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Sylvan Esso

WITH [Indie Exclusive Limited Edition 2 LP]

$35.98

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Sylvan Esso -"WITH" : In November 2019 Sylvan Esso staged a unique new tour called WITH. Through seven shows in four select cities, the group presented their music like never-before; collaborating with some of their favorite musicians to create an experience that was totally memorable. The sold-out shows took place in iconic venues like LA's Walt Disney Concert Hall, NYC's Beacon Theatre, Nashville's Ryman Auditorium and ended in their hometown at the Durham Performing Arts Center. Indie Exclusive Double LP

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Lana Del Rey

Violet Bent Backwards Over The Grass [LP]

$34.98

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Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic. — Lana Del Rey….The recording includes 14 poems performed by Lana Del Rey accompanied by music from Grammy Award-Winning songwriter/producer Jack Antonoff.

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Mastodon

Medium Rarities [Limited Edition Pink 2LP]

$29.98

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Medium Rarities is the first rarities collection from Mastodon covering their entire career. The compilation features one brand new song – “Fallen Torches”. It also includes a bevy of classic covers, soundtrack contributions, instrumentals, B-sides, and live recordings on one complete package for the very first time. Among an eclectic array of covers, the musicians tackle “A Commotion” by Feist“A Spoonful Weighs A Ton” by The Flaming Lips“Atlanta” by Butthole Surfers, and “Orion” by Metallica. It also features soundtrack cuts such as “White Walker”[from the Game of Thrones inspired mix tape] and the soundtrack song “Cut You Up With A Linoleum Knife” [Aqua Teen Hunger Force]. Meanwhile, they get under the hood with instrumental versions of “Asleep in the Deep,” “Toe To Toes,” “Jaguar God,” and “Halloween.   The limited edition double LP is pressed on pink vinyl.

Mastodon - Medium Rarities [Limited Edition Pink 2LP]
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