From director Paul Feig (Bridesmaids) and Academy Award-winning screenwriter Emma Thompson (Bridget Jones's Baby) comes a heartfelt romantic comedy inspired by the unforgettable music of George Michael. Emilia Clarke (Game of Thrones) stars as Kate, who works as an elf at a year-round holiday shop. Kate faces an endless streak of bad luck and poor decision-making until she meets Tom (Henry Golding, Crazy Rich Asians), a kind-hearted man with a mysterious past who challenges her cynical world view. It seems like nothing can keep this mismatched couple together, but sometimes you gotta listen to your heart... and you gotta have faith.
When straight-laced fire superintendent Jake Carson (John Cena) and his elite team of expert firefighters (Keegan-Michael Key, John Leguizamo and Tyler Mane) come to the rescue of three siblings (Brianna Hildebrand, Christian Convery and Finley Rose Slater) in the path of an encroaching wildfire, they quickly realize that no amount of training could prepare them for their most challenging job yet – babysitters. Unable to locate the children’s parents, the firefighters have their lives, jobs and even their fire depot turned upside down and quickly learn that kids – much like fires – are wild and unpredictable.
Music to Be Murdered By is Eminem's eleventh studio album. The album was produced by Eminem and Dr. Dre, amongst other producers, and features collaborations with Black Thought, Q-Tip, Juice Wrld, Ed Sheeran, Young M.A, Skylar Grey, Don Toliver, Anderson .Paak, Royce da 5'9", Kxng Crooked and Joell Ortiz among others.
William Patrick Corgan (aka, Billy Corgan of rock legends The Smashing Pumpkins) releases his second solo album. The 17-track album that Billy described as a "labor of love" leans heavily towards Americana, eschewing the fuzzy guitars and letting the songs speak for themselves. 2 LP set in clear with black marble.
Vinyl LP pressing. 2020 release. "Letting go can be a scary prospect," says Son Little. "But there's beauty in it, too. Everything you leave behind opens up space for something new in your life." That was certainly the case with his album, Aloha, his third studio album. Recorded at Paris's iconic Studio Ferber, the entire project was an exercise in letting go, in ceding control, in surrendering to fate. While Son Little (the stage name of songwriter, producer, and multi-instrumentalist Aaron Livingston) still plays nearly every instrument on the album himself, he put his songs in the hands of an outside producer for the first time here, collaborating with French studio wizard Renaud Letang (Feist, Manu Chao) to create his boldest, most self-assured statement yet. Equal parts vintage and modern, the collection blends classic soul, old-school R&B, and adventurous indie sensibilities into a timeless swirl fueled by gritty instrumental virtuosity and raw, raspy vocals. It's an ambitious work of vision and reflection, to be sure, but more than that, it's an ecstatic testament to the freedom that comes from torching the map and trusting the currents of life to carry you where you belong.
An eclectic remix package of St. Vincent's Grammy award winning album MASSEDUCTION, curated by Nina Kraviz. From frantic IDM and manic footwork to glistening house and meditative dubstep (via just about everything in between) her selections build an inspired portfolio from an abundance of talent. At times fragmented, at others familiar, it takes the spirit of MASSEDUCTION and runs with it in every way possible.
Multi-platinum pop singer, songwriter and sought-after hitmaker, Mike Posner has become one of the world’s most recognizable voices. The RIAA 4x-platinum smash “I Took A Pill In Ibiza”—which has over 3 billion streams, made history as “one of Spotify’s Top 10 Most Streamed Songs of All Time,” and earned him a Grammy® nomination. In 2019, Posner went on a walk across America, covering 2,851 miles from coast to coast. The trek inspired his album, Keep Going, available on CD January 31st.
When Poliça's Channy Leaneagh fell off her roof while clearing ice in early 2018, she smashed her L1 vertebrae and battered her spine, leaving her in a brace with limited mobility for months. Yet Poliça's fourth album, When We Stay Alive, is not about one debilitating accident. It's about the redemptive power of rewriting your story in order to heal, and reclaiming your identity as a result. When We Stay Alive possesses a new confidence in its sound, reflected in its fierce, determined songs and anchored by the heavy synths and punctuating beats of Poliça co-founder and producer Ryan Olson. Over the last several years Olson and Leaneagh have widely collaborated with musicians from all over the world: both with Bon Iver, and Leaneagh individually with Boys Noize, Lane 8, Sasha, Leftfield, and Daniel Wohl; Olson with Swamp Dogg in addition to countless musicians from the Aaron Dessner and Justin Vernon's 37d03d collective. As a result, When We Stay Alive features one of the largest musical casts of any Poliça record to date. To create the album, Olson brought his favorite collaborators into his studio for all-night sessions. He'd then send Leaneagh the files to write lyrics to while recovering at home, which she'd record alone or with engineer Alex Proctor. Drummers Drew Christopherson and Ben Ivascu colored the songs with a new approach ' drastically changing the rhythmic dynamic from previous efforts by creating an indistinguishable hybrid of live and electronic instrumentation--and bassist Chris Bierden provided a melody-laden low-end as well as more layered backing vocals than ever before. On Poliça's first three albums, Leaneagh focused on restructuring the world and her relationships within it. On When We Stay Alive, she realizes the power in restructuring her inner self. The album's title references the idea of moving forward through life ' our experiences, both good and bad ' and what happens next with the strength we find. 'I had been living unconsciously in past trauma,' Leaneagh says. 'I don't want to deny something happened ' this is not about repression ' it's about taking the power back from the past, holding the power in the present, and creating a new story for myself.'
High Road is the new album from the modern pop icon Kesha, and the follow up to her 2017 GRAMMY-nominated album Rainbow.
High Road finds Kesha on a joyful musical journey of self-discovery. The album is filled with emotional and stylistic range, and is a blend of heavenly highs and emotional depths. Kesha’s swagger is front and center, with frisky, rap-based tracks that show-off her skills as a lyrical spitfire, and also a folkier side that emerges. With a dream-pop ode to a best friendship, a reflective ballad about growing up without a father, and plenty of lust and laughter, High Road traverses the emotional spectrum.
For High Road, Kesha enlisted an eclectic roster of collaborators/songwriters/producers including John Hill, Dan Reynolds, Stuart Crichton, Jeff Bhasker, Drew Pearson, Brian Wilson, Sturgill Simpson, Nate Ruess, Justin Tranter, Stint, Wrabel, and Pebe Sebert, among others.
Kesha has sold more than 14 million total album equivalents worldwide, and has had 9 Top 10 hits on The Billboard Hot 100, including four #1 singles at Top 40 Radio.
Drive-By Truckers is kicking off the new election year with The Unraveling, their first new album in 3 1/2 years (the longest space between a new DBT albums ever). Those years were among the most tumultuous our country has ever seen and the duality between the generally positive state of affairs within the band and the turbulent world outside (or as Patterson Hood puts it: "watching so many things we care about be decimated and destroyed”) informed the writing of this album to the core.
At 16, Joey Alexander has already recorded two GRAMMY-nominated studio albums, as well as a critically acclaimed surprise release from late 2017 to honor Thelonious Monk's centennial. With his third studio effort Eclipse, Joey took another giant step forward, demonstrating his aptitude as a composer, bandleader, and musician, hinting at the many artistic paths open to him in the decades ahead. Joey has made appearances on 60 Minutes, The Today Show, and NPR's Tiny Desk series.
Written for his fans and inspired by his idols, Walls marks the debut solo album from Louis Tomlinson. Inspired by the records he listened to in his bedroom as a kid and channeling the spirit of the brit pop era of the 90s Louis Tomlinson bares all with this incredibly honest and personal record. Featuring the likes of "Two Of Us," "We Made It," "Kill My Mind" among others the album marks a change of direction for Louis' music, and one he is happy and proud to present to the world.
Dashboard Confessional's first-ever career-spanning compilation, The Best Ones Of The Best Ones, is a thoughtfully curated collection of the band's most beloved songs and features selections from all seven studio albums, the So Impossible and The Drowning EPs, and the band's legendary, Platinum-certified MTV Unplugged performance. From start to finish, The Best Ones Of The Best Ones showcases the profound durability of Dashboard Confessional's music over the past two decades. The collection highlights singer/songwriter Chris Carrabba's extraordinary ability to give a cathartic voice to the messiest of emotions, which led the band to ascend from a bedroom project to a global sensation.
After a 5 year hiatus that has seen him delve into a range of diverse musical projects, Squarepusher will return with new album, Be Up A Hello. After exciting fans with his hour long mix of brain-melting breakbeat and jungle for Warp's 30th anniversary NTS takeover in June, expectation has been bubbling away for official new material. The album sees Tom Jenkinson getting back to using analogue hardware, the same equipment that first helped him develop his sound in the early '90's to craft nine new pieces which chart a journey into harder and darker territory. From rinsing breakbeat tracks such as Nervelevers and Terminal Slam to darker moments such as Vortrack and Mekrev Bass, the album illustrates Tom's continuing fascination with finely balanced psychological overload. As such, 'Be Up A Hello' gives a nod to the mayhem, joyousness and abandon of the DIY Essex rave scene that was a strong determinant in Tom's work.
'We should try again to talk,' Frances Quinlan writes. It not just a lyric'it's a suggestion, a warning, a plea, a wish. This request is woven throughout Likewise, her forthcoming solo album, amidst dramatically shifting motifs. Some are jubilant, some are dreamy and abstract, and a few are sinister, but within each dark void that Quinlan explores, there is a light peering back at her. Frances Quinlan has built an identity for herself over the past decade as the lead songwriter and front-woman of the Philadelphia-based band Hop Along, and her distinct voice is among the most recognizable and inimitable in music. While the band began as Quinlan's solo project (originally titled Hop Along, Queen Ansleis), Likewise (out January 31st on Saddle Creek) is Quinlan's debut under her own name. To make the record, she enlisted the virtuosic skills of her bandmate Joe Reinhart, and together they produced the album at his studio, The Headroom, recording in stints over the course of a year. With a renewed openness to explore different sounds, Quinlan supplements her typical guitar-based instrumentation with synthesizers, digital beats, harps, strings, and a wide variety of keyboards. The shifting and exploratory nature of these musical arrangements allow her lyrics and vocals'which have always been at the forefront of her music'to reach emotional depths like never before. Her vocal tones beckon a kaleidoscopic range of emotions across all nine songs on the album, from soft and ruminative to enraged and commanding; from conveying powerful messages to highlighting small, yet poignant, moments. Quinlan is a voyaging songwriter. Throughout Likewise, she confronts what confounds her in the hopes that she will come out on the other side with a better sense of what it is to be human. She presents listeners with a complicated, albeit spirited vision of what it could mean to truly engage with another person, to give a small piece of oneself over to someone else without expectation. Although such is likely to be a lifelong effort, these songs prove evident that light can still permeate from unsettling depths.
'Is It You, Is It Me', Dustbowl Revival's 5th full length album over a span of 12 years, reveals the band moving in an exciting new direction. Instead of Dixieland jazz and Depression-era folk songs serving as musical mile markers, this new collection mines an energizing vein of soul, funk and roots-infused rock.
A person whose words are so potent that they cause the people and beings around them to vibrate is said to have a "silver tongue." It's apt, then, that Mackenzie Scott-who has spent the 2010s making boundary-pushing pop music under her Torres moniker-has chosen to call her fourth album, and first on Merge, just that. Recorded at O'Deer in Brooklyn, New York, Silver Tongue is a full-scale realization of the world Scott has created over Torres' last few albums. Even when singing in more subdued tones, Scott's voice is fervent, her lyrics stirring and unyielding as she draws from both the divine and the everyday
Vinyl LP pressing. 2020 release from the Los Angeles-based garage/indie rock band. Natural Affair features lyrics centered around social commentary, rhymes, and ruminations on the pleasures and perils of modern love. Led by singer Brooks Nielsen and music director/guitarist Matt Taylor, The Growlers self-produced the album with a backing band comprised of longtime Growlers touring members Brad Bowers on bass and Richard Gowen on drums as well as Circles Around The Sun's Adam MacDougall (keys, synth) and Dan Horne (bass).
Completing a compelling trilogy of albums since his late-flowering return to solo songwriting and singing six years ago, Ben Watt releases his fourth LP, "Storm Damage" and with it a new sound and fervency. Sonically adventurous, lyrically detailed and engaged, the album - written and produced by Watt - is a personal journey through anxiety and change cut through with an insistent defiance. In stores January 31, 2020 via Unmade Road/Caroline.
Single LP on black vinyl in single jacket with 12” x 12” insert. Includes coupon for full download
Dan Bejar initially conceived of Have We Met, his 13th album as Destroyer, as a Y2K album. He was already active during the era but not heard overhead in a cafe or salon, which is perhaps what the idea of the Y2K sound evokes nearly two decades later. Bejar assigned frequent producer and bandmate John Collins the role of layering synth and rhythm sections over demos with the period-specific Bjork, Air, and Massive Attack in mind, but he soon realized the sonic template was too removed from Destroyer’s own, and the idea of a concept was silly anyway. So he abandoned it and gave Collins the most timeless instruction of all: “Make it sound cool.”
The result is not a startling departure from 2017’s new-wavey, Thatcher-era yearning ken, but unlike that more bandoriented approach, the only actual instruments that appear here are bass and electric guitar. MIDI instrumentation will of course invite Your Blues and Kaputt nostalgia, the two other John Collins-heavy affairs, and to some degree that’s valid. Each contrasts cavernous empty space and synthetic sounds, but rather than whimsical theatrics or sleazy orchestral pop, Have We Met is buoyed by precise, plasticky guitar shredding three-dimensionally across massive percussion—the loudest and dirtiest drums on a Destroyer record to date.
Five-time Grammy Award-winning Rock and Roll Hall of Fame inductees Green Day unleash their brand new single “Father Of All…,” which is the lead track on their forthcoming thirteenth studio album of the same name, out February 7, 2020 on Reprise / Warner Records. Formed in 1986 in Berkeley, CA, Green Day is one of the world’s best-selling bands of all time, with more than 70 million records sold worldwide and 10 billion cumulative audio/visual streams. Their 1994 breakout album Dookie, which sold over 10 million and achieved diamond status, is widely credited with popularizing and reviving mainstream interest in punk rock, catapulting a career-long run of #1 hit singles. Entertainment Weekly calls Green Day, “The most influential band of their generation,” while Rolling Stone attests, “Green Day have inspired more young bands to start than any act this side of KISS, and that doesn't seem to be changing.” In 2004, Green Day released the rock opera American Idiot which captured the nation’s attention, selling more than 7 million copies in the U.S. alone and taking home the coveted Grammy Award for Rock Album of the Year. Mojo declared “It's exhilarating stuff, the kind of record that sets new parameters as to what is possible from a punk rock'n'roll band in the 21st century.” In 2010, a stage adaptation of American Idiot debuted on Broadway to critical and commercial acclaim.
With their ninth album, Nada Surf: Matthew Caws, Daniel Lorca, Ira Elliot, and Louie Lino continue pursuing their humanistic vision of the world through hooky, catchy rock songs with sharply drawn, yet tenderly felt lyrics. Never Not Together, is a compact, yet wide-ranging collection of songs that revel in the quartet's ability to evoke and reflect grand and intricately wrought emotions, whether through sweeping guitar solos or hushed-whisper vocals. Never Not Together was recorded at the Coach House Studio in Wales' Rockfield Studios, where artists like Echo & the Bunnymen, the Flamin' Groovies, and Dumptruck recorded albums. "I've been seeing the name on albums for so long," says Caws. "It's a working farm, and the founder/owner, Kingsley Ward, would come in and tell us stories when he wasn't farming. I'd walk into town every morning and listen to the sheep talking as I walked by them."That openness to listening to their fans, to each other, to the world has helped inform Nada Surf's legacy as down-to-earth rock stars musicians who can command festival stages around the world while connecting to audience members on a personal level, conscious of the shared humanity every step of the way.
Oh Wonder announced details of their upcoming third album, No One Else Can Wear Your Crown, which will be released on February 7th, 2020! The new album will include their first single "Hallelujah" and most recent follow-up "Better Now." Oh Wonder also shares a brand new track from the album, "I Wish I Never Met You," out now. The album announcement arrives hand-in-hand with the first installment of international dates for the "Wear Your Crown Tour," including legs in North America and the U.K..
Grammy-winning and BRIT and Mercury-Prize-nominated artist La Roux returns with her first new material in five years - 'Supervision' out February 7th 2020 on her own label Supercolour Records. From cover to contents, this is unequivocally the album Elly Jackson always wanted to make - a claim that with some artists might ring alarm bells, but in this instance simply means that ‘Supervision’ sounds precisely, unmistakably, gloriously like La Roux.
La Roux shot to worldwide fame with her debut self-titled album in 2009 selling over 6 million singles worldwide and - in addition to collaborations with the likes of Skream, Kanye West, and Major Lazer – helped reshape pop as we now know it. Elly’s second album, 'Trouble In Paradise', was a critically-adored reinvention, topping the Dance/Electronic charts in the US and landing La Roux her second top 10 album in the UK.
The Big Exercise, the second album by Dutch band The Homesick, and their first for Sub Pop, finds the group keenly second-guessing their core chemistry as a live unit, imbuing their angular post-punk workouts with baroque elements such as piano, acoustic guitar, percussion, and even clarinet. “It’s the opposite of trying to translate recorded music to the stage,” guitarist Elias Elgersma comments. “We were already playing these songs live for quite some time, so for this album, we wanted to unlock the potential of these songs further in the studio.” Opening track “What’s In Store” was in part inspired by bassist Jaap Van der Velde’s unprompted deep dive into the world of national anthems, making his own attempt to conjure a similarly timeless melody. The song seamlessly bleeds into the chivalrous prance of “Children’s Day” and the fragmented “Pawing,” righteously encouraging Erik Woudwijk’s nimble, cerebral drumming to become the band’s driving force. The headstrong wanderlust of The Big Exercise is fitting, given The Homesick’s exodus as a small-town Dutch band ready to trot the world. Contrary to the quest for belonging, roots, and provenance found on their debut album, Youth Hunt, the band’s creative trajectory is now dictated by a sense of otherness and imagination. The sharp contrasts are ever-present; the music’s new sonorous depth is underpinned by wry meditations on family ties, alternate realities, and commonplace encounters. As the band’s chief lyricists, Elgersma and Van der Velde deliberately keep each other in the dark, allowing the syntax of words and music to entangle in surprising – sometimes delightfully absurd – ways. “I Celebrate My Fantasy,” for example, summons a mirage of creeping pianos, sylvan clarinet flourishes and cartoonish sprawls with mock-paranoia, as Elgersma documents a macabre vision he had during a mild case of sleep paralysis. True to the band’s method of holding the more mundane, fleeting moments under a magnifying glass, closing track “Male Bonding” pulls a wide range of movements out of the top hat: the album’s rare heavy burst is promptly mediated by almost medieval-sounding prog rock-flirtations. The Homesick have made a record impregnated with impressions that still fit neatly under the pop umbrella. The album title’s nod to Scott Walker - “the big exercise” is a phrase pulled from a passage in Walker’s biography, Deep Shade of Blue - isn’t an aberration either: straddling pop sonority and the cacophonous fringes is something well worth aspiring.
Driving anywhere in Texas can cost you half a day, easy. For example, it'll take you over four hours just to get from R&B singer Leon Bridges' hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you're in. And it's all baking under the Texas Sun that lends it's name to Bridges and Khruangbin's new collaborative EP. "Big sky country, that's what they call Texas," Khruangbin bassist Laura Lee says. "The horizon line goes all the way from one side to another without interruption. There's something really comforting about that." On Texas Sun, these two members of the state's musical vanguard meet up somewhere in the middle of that scene, in the mythical nexus of Texas' past, present, and future-a dreamy badlands where genres blur as seamlessly as the terrain. It calls equally to the cowboys boot-scooting at Billy Bob's in Fort Worth, the chopped-and-screwed hip-hop fans rattling slabs on the southside of Houston, the art-school kids dropping acid in Austin, the cross-cultural progeny who grew up on listening to both mariachi and post-hardcore out on the Mexican borders of El Paso. All of these things, overlapping in a multicolored melange, purple hues as vivid and unpredictable as one of the state's rightfully celebrated sunsets. A journey through homesick reminiscences, backseat romances, and late-night contemplations, the kind of record made for listening with the windows down and the road humming softly beneath you. Like the highways that inspired it, Texas Sun is guaranteed to get you where you're going-especially if you're in no particular hurry to get there.
2020 release. It goes without saying that the global metal scene would not be the same without Sepultura. For 35 years now, the Brazilian icons are not only a band revered worldwide; they have been, are and forever will be at the very forefront of thrash metal, trailblazing ever since they released their long-since legendary debut album Morbid Visions in 1986. While quickly establishing themselves as leaders of the second wave of thrash already in the late eighties, to this day they never came even close to stagnation. Quadra, their mighty new undertaking, is proof of a will unbroken, a thirst unquenched and a quality so staggeringly high it's a wonder this band doesn't implode. Now, three albums deep into what may very well be their strongest incarnation yet - uniting the talents of old-school members Andreas Kisser (guitars, vocals) and Paulo Xisto Pinto Jr. (bass), vocal force of nature Derrick Leon Green (vocals) and drummer Eloy Casagrande - Sepultura is an unleashed power to be reckoned with, uniting bucketloads of experience and youthful vigour in a totally revived way.
The Lone Bellow’s new album Half Moon Light is replete with the trio’s signature powerhouse harmonies, passionate performances, and honest songwriting. The 15-track album touches on personal topics like family, loss, overcoming struggle, and letting things go. The band expertly traverses several moods throughout the record, going from gentle, soothing lows to enormous, sweeping highs, and their musicianship shines through in each and every track.
Canadian folk and country singer/songwriter William Prince returns with his second album 'Reliever out 7th February via Glassnote Records"RELIEVER is a series of pieces for healing. Alleviation. As the definition states, something that allows for relief from pain, discomfort or distress. I've been told my songs allow people to let out their hurt; reminiscent of bloodletting. Reliever takes aim at the moments where we as human beings feel we aren't enough." Prince won a Juno 2017 Award for Contemporary Roots Album of the Year for his debut album Earthly Days.
Christopher Paul Stelling is a guitar virtuoso, a folk singer- songwriter and a touring troubadour. His new album Best of Luck was produced by Grammy award winning musician-producer, Ben Harper.The album's title, Best Of Luck, mirrored perfectly the emotional landscape in which it was created. "Depending on how you say it, it can either be a blessing or a dismissal," Stelling says. "And that was exactly the point I was coming to with myself, my career as an artist, as a friend and as a person." Harper and Stelling met a few years back when Harper invited Stelling to open a series of shows. "Ben gave me a true gift back then," Stelling says. "I'd been on the road for a long time and he put me onstage in front of his fans. He took me to the Beacon, The Ryman, Massey Hall, all these legendary rooms. Just to see that what I could do would even translate in spaces like that was revelatory."When Harper talks about his admiration for Stelling,. "A guy that can play any instrument from any country and play it with real feeling. He crosses genres but manages to respect them; he is a folk singer with an unusual soulfulness. He understands where this music comes from and why it's remains so essential. Of all the record's I have produced, this is one I'm most proud of."
Yorkston/Thorne/Khan ' a trio of James Yorkston (guitar/nyckelharpa/vocals), Jon Thorne (double-bass/vocals) and Suhail Yusuf Khan (sarangi/vocals) - are pleased to announce their new album Navarasa : Nine Emotions. YTK unite one of the key spiritual visionaries and architects of Hindustani art music, the poet-philosopher Hazrat Amir Khusrau with the key literary visionary of Scottish and Scotslanguage culture, Robert Burns. This bricolage of diverse cross-cultural elements is apparent across Navarasa : Nine Emotions, and all of what YTK create. James Yorkston weaves in Scottish folk, sangster and literary strands; Jon Thorne is grounded in jazz and groove; what the New Delhi-based, eighth-generation hereditary musician Suhail Yusuf Khan brings to this feast of pulses and cycles is northern Indian classical, light classical (thumri, for example) and Sufi devotional musical and literary forms. What binds these diverse musical strands together is, in James' phrase, 'a dark happiness.' Navarasa : Nine Emotions is the trio's third record and follows Everything Sacred (2016) and its successor Neuk Wight Delhi All-Stars (2017).
Joe Russo’s debut solo album 'phér•bŏney’ is now available on limited edition black vinyl via Royal Potato Family. Initially a surprise release on digital formats in early summer 2019, the LP editions mark the first time the recording is available in physical form. Throughout ‘phér•bŏney,’ Russo defies expectations with a collection of dreamy instrumentals and vocal tracks, channeling a sublime, reflective musicality. The wildly imaginative, yet cohesive, 9-song set moves through ethereal indie-pop, Ennio Morricone-like soundscapes, electro-jazz forays and smoldering, African-inspired guitar workouts.
Featuring: Simon & Garfunkel, Stevie Wonder, Aretha Franklin, U2, Metallica, Ozzy Osbourne, John Fogerty, Ray Davies, Rush, Bill Withers, Cat Stevens, Cheap Trick, Chicago, Deep Purple, ELP, Joan Jett & The Blackhearts, Journey, Pearl Jam, Peter Gabriel, Ringo Starr, Yes, Alice Cooper, Donovan, Dr. John, Heart, The Hollies, Randy Newman, Red Hot Chili Peppers, Small Faces/Faces, The Stooges, Tom Waits and many more.
Historic, irreverent, emotional induction speeches from Bruce Springsteen, David Letterman, Dave Grohl, Art Garfunkel, Glenn Fry, Miley Cyrus, John Mayer, Paul McCartney, Kid Rock, Stevie Wonder, Elton John, Chris Rock, John Mellencamp and more.
Nearly 30 hours of entertainment!
Includes the complete 25th Anniversary Rock & Roll Hall of Fame Concerts on 2 Blu-rays. These have been called the best concerts ever! This Emmy award-winning set is a music celebration featuring Once-in-a-lifetime collaborations, including: - Born To Run, Bruce Springsteen & The E Street Band and Billy Joel - Gimme Shelter, U2 with Mick Jagger, Fergie and will.i.am - Crosby, Stills & Nash; Paul Simon; Simon & Garfunkel; Bruce Springsteen & the E-Street Band, plus special guests including Jackson Browne, B.B. King, Sting, Jeff Beck, John Legend and more. It's a must have for any fan of Rock 'n' Roll. Includes a 36-page Rolling Stone Magazine souvenir booklet commemorating these shows.
Justin Bieber is ready to give the world insight into events that have taken place in his life over the past four years. From marriage to faith and his new outlook on life, Justin is reflecting on changes he's experienced and the impact they've had on him. "Changes" marks a new chapter in his career. The album hinges on themes of personal growth through life experiences, love and commitment, creatively expressed through music, giving a candid look into his evolution as an artist and human being.
Tame Impala (Kevin Parker) will release his fourth studio album, The Slow Rush, out February 14th on Interscope. Recorded between Los Angeles and his studio in his hometown of Fremantle, Australia, the twelve tracks were produced and mixed by Parker. The Slow Rush is Parker's deep dive into the oceans of time, conjuring the feeling of a lifetime in a lightning bolt, of major milestones whizzing by while you're looking at your phone. Pressed on forest green vinyl
Honeymoon is the excellent debut album from Beach Bunny, the four-piece band out of Chicago. Recorded at the iconic Chicago studio Electrical Audio with producer Joe Reinhart (Hop Along, Algernon Caldwaller), the nine songs on the LP burst with energy that capture their vital and life-affirming live shows. Songs like the swooning and anthemic singles 'Dream Boy' and 'Ms. California' encapsulate the highs and lows the exiting the honeymoon stage of a relationship. The long-awaited debut LP 'Honeymoon' from Beach Bunny follows their breakout hit on Tik-Tok, 'Prom Queen' (65 million global streams, 518K+ TikTok videos). Honeymoon will be released on February 14th, 2020 following a major market tour with festival plays.
Nathaniel Rateliff has written and recorded his first solo record since the explosive debut of his work together with The Night Sweats. And It's Still Alright, is an intensely personal 10-song album of vibrant country-blues, badland ballads, ornate Americana and jazz-inflected R&B. Rateliff's warm baritone, ranging from gently hushed to a guttural howl, imbues these superbly drawn character studies with raw, naked emotion.
And It's Still Alright was produced by Rateliff, Night Sweats' drummer Patrick Meese and James Barone of the indie band, Beach House and primarily recorded at National Freedom in Cottage Grove, Oregon, the studio formerly owned by the late Richard Swift (who produced both Night Sweats recordings). While Rateliff, Meese and Barone handled much of the album's instrumentation, several friends make contributions including Night Sweats' guitarist Luke Mossman; bassist Elijah Thomson (of the indie band Everest); keyboardist Daniel Creamer (of The Texas Gentlemen); steel guitarist Eric Swanson (touring musician for Israel Nash) and renowned string arranger Tom Hagerman (of the instrumental vocal ensemble DeVotchKa), whose delicate orchestrations beautifully complement the album's deep emotional terrain. And It's Still Alright's many highlights include album opener ''What A Drag,'' which sketches a vivid portrait of a disconnected relationship, ''Tonight #2,'' a haunting, end-of-the-world waltz, ''Time Stands,'' detailing an epic, desperate struggle for love and the elegiac ''Rush On,'' a heart-breaking requiem for Swift. Unguarded and unflinchingly real, Nathaniel Rateliff's And It's Still Alright expands on the sounds and styles he's used to great affect across both his band and solo careers. It's a commanding next step in Nathaniel's evolution into one of America's most vital and essential songwriters.
Tennis are an indie pop duo comprising husband and wife Patrick Riley (guitar, keyboards, production) and Alaina Moore (vocals, keyboards). The band wrote their upcoming album on land and sea; on their sailboat traveling around Baja California, Mexico & in their recording studio they built in Denver. Alaina and Patrick were driven to elevate their songwriting & experimented with different instrumentation, time changes, & a focus on lyrical storytelling. The band experienced many life-changing occurrences over the last two years that influenced their writing - from loss to illness and renewed bonds. Swimmer is a single they are releasing in Fall 2019, coming out as the band announces touring dates for spring 2020.
White Ladder (20th Anniversary Edition) celebrates the multi-platinum-selling album from singer-songwriter David Gray. This expanded, deluxe release features the iconic album newly mastered on 2 pieces of white vinyl plus previously unreleased and rare White Ladder-era B-sides and demos on 2 pieces of black vinyl. David Gray has also personally crafted a series of writings about his White Ladder experience, chronicling the people involved, and the stories behind some of the songs and most memorable shows. These writings are featured in a commemorative book alongside rare photography and housed in beautiful packaging that also features the lyrics to timeless hits such as "This Year's Love," "Babylon," and "Sail Away." "What happened with White Ladder involved more than music. It was a sort of heart and soul moment of total surrender for everybody involved, for me and the audience. That was it. It doesn't get any better than that." - David Gray
Puss N Boots—the charming trio featuring Norah Jones, Sasha Dobson, and Catherine Popper—have announced a February 14 release date for their second full-length album, Sister.
Sister is a fetching collection of originals written by the band members collectively and individually, mixed with loving covers of songs by Tom Petty (“Angel Dream”), Dolly Parton (“The Grass Is Blue”), Paul Westerberg (“It’s a Wonderful Lie”), and Concrete Blonde (“Joey”). Jones, Dobson, and Popper each take turns delivering lead vocals and also pick up multiple instruments throughout the album trading off on guitar, bass, and drums.
“This band has always been a great adventure,” says Jones. “Sasha and Cat’s fearlessness eggs me on to try new things, be it playing guitar, drums, writing a new way or wearing an elf costume on stage. We feed off of each other’s eagerness to jump in, sink or swim. And singing together feels like the most natural thing in the world. It’s a real privilege to have found this space together, try different things and to watch this band grow into what is at this moment. It is ever evolving and so fun.”
“For me this band has always been an incredible and uniquely safe outlet for trying new things,” adds Dobson. “For example, I’d been writing all year on bass but was too shy to tell anyone, but when Norah asked me if I had anything new, before I knew it we were covering those tunes and I was playin’ bass in the band!”
“We were rehearsing for something and we took a break,” recalls Popper. “I sat at the drums and started messing around, Norah came back and picked up a guitar and riffed, and Sasha picked up the bass, and in an hour we had ‘It’s Not Easy.’ My bandmates just love to make music and it’s been a great learning experience for me about setting my ego aside and taking a chance.”
Vocalist/producer/multi-instrumentalist EDEN announces the forthcoming release of his new album, no future. Due out via Astralwerks on February 14, no future marks the follow-up to his acclaimed 2018 full-length debut, vertigo.
Portland, OR's Eyelids, one of rock's best-kept secrets, step firmly out from the shadow cast by the band members' pedigrees earned from time spent in GBV, Decemberists, The Jicks and Elliott Smith. Produced by Peter Buck of REM and featuring lyrics written by poet and frequent Tim Buckley collaborator Larry Beckett, The album features a bountiful cacophony of gorgeously shimmering riffs and songs so delectably crafted that all who value the electric guitar as a source of joy should find themselves awash in goosebumps once under this record's spell. A testament to rock's remaining vitality as an art form, Eyelids' fourth album finds the outfit as both stewards of a classic sound (Big Star and REM disciples will fall hard for this project) and accomplished artists propelling their craft to thrilling new heights. The Accidental Falls casts a hypnotic spell over the listener and triumphantly reminds us, hearts fully on sleeves, why we fell in love with rock n roll in the first place.
No one forgets the first time they saw Tami Neilson. She can hush a room with an original song that channels the hurting spirit of Patsy Cline or the sensuality of Peggy Lee, or bring the audience to its feet on a rockabilly raver. She's an artist with real range, whose powerful voice can take on big ballads, golden-age country, heartfelt Gospel, soul-infused R&B, Western swing, even old-style rock 'n' roll. Tami encompasses them all and is a personality-powered cyclonic force of nature in stylishly retro attire, long lashes and a stacked-high beehive. Of her new album's title, CHICKABOOM!, Tami explains, 'I wanted to write an album of punchy little songs, popping firecrackers that, when stripped back to nothing but a guitar, percussion and two voices, would still go boom!' The new collection brings much personal and family history to the table. Tami grew up performing across North America with the Neilson Family Band, working alongside greats such as Johnny Cash, Tanya Tucker, and Kitty Wells. Subsequently, Tami fell in love with a New Zealander, moved to the bottom of the world and began her solo career without the support of the family. Her early records saw her in a self-created territory between mainstream country and alternative country, with awards in New Zealand for albums that added breadth to her 'country singer' label: Best Female Artist, Best Country Album, Best Country Song, an APRA Silver Scroll (songwriting) award and Album of the Year nominations. Her Dynamite! album of 2014 received rave reviews in Britain's MOJO and the Guardian named it a Top 10 Best Country Music Album. Tami's songs appeared on the Netflix series Wanted and the terrestrial TV series Nashville. Tami Neilson's singing and writing is too big to contain, as HMV Canada noted: 'There are singers and then there is Tami Neilson, for whom the word singer just isn't big enough.' The road has now led to CHICKABOOM!, which is something different again, and even more personal. 'In the past year, I started to notice something,' she says. 'The artists I would spend time with backstage at festivals, the ones I gravitated to the most and followed on social media ... artists like the Secret Sisters, Shovels & Rope, Kasey Chambers, Brandi Carlile ... they all had family performing with them. When you tour away from loved ones, it makes a world of difference to have part of your village with you on the road. Not to mention, nothing can come close to that special blend of blood harmonies and silent communication that only comes from being onstage with a person for over 30 years. Family has always been a huge part my music-writing, recording and creating with me, but I wanted family on this project and on the road with me again.' Brother Jay flew to Auckland, New Zealand from Toronto to record a selection of new songs that have unmistakable sibling magic and harmonies. 'I don't think he quite understands what he's gotten himself into but now the album's coming out it's a bit too late. Sucker,' she laughs. And if you've missed Tami before ' on record or in concert ' then you are in for a treat ... and you might not quite understand what you've gotten yourself into either. As we say: you'll never forget the first time you saw Tami.
The sophomore full-length from Post Animal, Forward Motion Godyssey unfolds with a frenetic momentum, mercurial and unhinged and gloriously volatile. In a bold leap forward both artistically and sonically, the Chicago-based alt-prog band sets their existential questioning to a wildly kinetic sound, mining inspiration from genres as divergent as electronic and psych-rock and—at one particularly sublime point—achieving both stoner-metal brutishness and dreamy R&B elegance in the very same instant. At turns rhapsodic and unsettling, meditative and chaotic, the result is anything but subtle: a body of work that beckons deep involvement from the listener, a richly layered experience primed to leave its audience indelibly transported.
Originally released in the UK on 15th February, 1980 ‘ALABAMA SONG’ was initially written as a poem by Bertolt Brecht in 1925 and was put to music by Kurt Weill for the 1927 play Little Mahogany. David Bowie was a longstanding Brecht fan and included the song in the setlist for his 1978 Isolar II tour.
The studio version of ‘ALABAMA SONG’ on the A-side of this release was recorded on July 2nd 1978, the day after the final show of the European leg of the tour, at Tony Visconti’s Good Earth Studios in Soho, London.
The AA-Side features two previously unreleased tracks;A rendition of “Heroes” track ‘JOE THE LION’ recorded at the soundcheck of the tour’s final Earls Court show on the 1st July 1978. Though rehearsed for the Isolar II tour ‘JOE THE LION’ would not make its live debut until the Serious Moonlight tour of 1983.
The second track on the AA-side is a live version of ‘ALABAMA SONG’ also recorded July 1st 1978—a different performance than the one featured on the live album Welcome To The Blackout.
Creating their own experience of sonic space waves, Tan Cologne feels like diving into a secret pool, where Mazzy Star and CAN surf together on silky waves of sand dunes. Their debut album explores the dynamics of floating, through dreamy double vocals, swirling guitars, and rhythmic woven textures. "Cave Vaults on the Moon in New Mexico is like a new genre of southwestern gothic, Cocteau Twins meeting Wall of Voodoo" - Backseat Mafia
For our second vinyl expedition into the Grateful Dead vaults (having sold out of Dick's Picks Vol. 34), we've landed on one of the most momentous shows in the band's long history: the March 23, 1974 show at the Cow Palace that marked the first appearance of the famous (or infamous, depending on which Dead Head you ask) Wall of Sound concert PA! And, since the calling card of that amplification system was its crystal-clear fidelity, we have taken absolutely no chances with the sound on this vinyl release: the show was mastered from the original analog tapes by long-time Dead engineer Jeffrey Norman at Mockingbird Mastering, and the venerable John Golden (who's cut lacquer for everyone from Sharon Jones and the Dap Kings to Jonathan Wilson to Soundgarden) at Golden Mastering cut the lacquers. It took two rounds of test pressings to run the approval gauntlet of Norman, Grateful Dead archivist David Lemieux, and Real Gone's own Gordon Anderson, so rest assured you're getting the very best vinyl listening experience we can deliver, and the 180-gram vinyl pressing ensures minimum warpage and surface noise. In short, you'll hear the same unprecedented sonic clarity that Bear envisioned when he put together the Wall of Sound PA'and indeed the set includes the note from Bear that accompanied the original CD release as part of the 4-page, full-size, full-color insert that lies inside the color hardshell box containing the four LPs (which are housed inside poly-lined sleeves). Aside from the debut of the Wall of Sound, the 3/23/74 show is notable for several reasons. First, it featured the debut of two songs, 'Cassidy' and 'Scarlet Begonias,' that were to become staples of the band's repertoire. And, second, this show marked the third and last appearance of the 'Playing in the Band/Uncle John's Band/Morning Dew/Uncle John's Band/Playing in the Band' medley, and you can see why'it would be very, very hard to top this performance, which stretched its 'Playing in the Band' segments almost to their breaking point. It's a peak show from a pivotal period in the band's development'and we're only pressing up 1500 hand-numbered copies of this 4-LP set! Once they're gone nothin's gonna bring 'em back'
Tom Hanks portrays Mister Rogers in A Beautiful Day in the Neighborhood, a timely story of kindness triumphing over cynicism, based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod. After a jaded magazine writer (Emmy winner Matthew Rhys) is assigned a profile of Fred Rogers, he overcomes his skepticism, learning about kindness, love and forgiveness from America’s most beloved neighbor.
21 Bridges follows an embattled NYPD detective (Chadwick Boseman) who is thrust into a citywide manhunt for a pair of cop killers after uncovering a massive and unexpected conspiracy. As the night unfolds, lines become blurred on who he is pursuing, and who is in pursuit of him. When the search intensifies, extreme measures are taken to prevent the killers from escaping Manhattan as the authorities close all 21 bridges to prevent any entry or exit from the iconic island.
Lost At Midnight is the mesmerizing debut album from critically-acclaimed electronic-pop producer, OTR. Featuring Vancouver Sleep Clinic and emerging artist Saint Sinner, the album cuts right to the heart with poignant piano melodies and elegantly sculpted beats. Standout tracks include “Heart” ft. Shallou (a hit #1 on the Sirius XM Chill chart), ‘Broken’ ft. Au/Ra, ‘Drive’ ft. Panama, and ‘Midnight Sun’ with Ukiyo which is also featured on the Netflix film ‘To All The Boys: P.S. I Love You’. Standard packaging with spot UV LP.
Bon Jovi’s new album Bon Jovi 2020 is the 15th studio album from the Rock & Roll Hall of Fame band. The album, due out May 15th, features the new single “Limitless” as well as “Unbroken,” which was featured in the documentary “To Be Of Service”. The album releases a little less than a month in front of their US arena tour. 2LP pressed on 180-gram gold vinyl.
In 2014, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim. Caribou returns now with his new studio album Suddenly, a warm, untamable, and constantly surprising record about family and the changes we go through as those relationships evolve. Most prominently, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family-universal themes that can catch you off guard and change your life in a heartbeat. Those dramatic moments are part of a slower process. These moments rear their heads, for good or bad, during the everyday flow of life. "There's a tension between those sudden things which blindside you and the more glacial, gradual day-to-day changes," he observes. "We are so caught up in the immediate-the details that require our attention every day-that we can be blind to the bigger forces shaping us. That's why so often when something drastic happens suddenly, it catalyzes all sorts of changes in our lives. Our perspective shifts." Suddenly is in the music, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. "I wanted to balance the familiar-the sound that people associate with my music-against these moments of surprise," Snaith says. As his passion and joy in music-making remains as fresh as ever, Suddenly is the purest example of this yet.
Double vinyl LP pressing in gatefold jacket. 2020 release, the eighth album from hard-hitting rockers Five Finger Death Punch. The album was produced by Kevin Churko, the Canadian record producer/engineer and songwriter who currently lives in Las Vegas, where he works out of his private studio, The Hideout Recording Studio. Includes "Inside Out".
For Sophie Allison, aka Soccer Mommy, color theory confronts the ongoing mental health and familial trials that have long-plagued her, presenting listeners with an uncompromisingly honest self-portrait. The new album’s sonic landscape is vast and dexterous, with melodies that shimmer on the surface, but reveal an unsettling darkness with each listen.
As we age, we face obstacles that are beyond our control. Some forces are internal: insecurity, anxiety, fear. Some are external: the loss of loved ones, an unjust system and the fragility of time. Yet the mark of maturity is how you respond when you realize you’re not in control. Where do you find your resilience?
This album is a reflection of us coming to terms with how to find our power in the face of an unfair world. These songs lead listeners past “where happy man searches, to a place only mad women know.” We question our purpose, our relationships, our faith. Trading the fears of our youth for the dread that rages within us as mature women.
With SATURN RETURN, our hope is that women can feel less alone in their journey through the modern world. We need each other more than we ever have; the less competition and the more inclusiveness and understanding, the better. We are southern women in the 21st century, convicted by our beliefs.
Over the last decade, Real Estate have crafted warm yet meticulous pop-minded music, specializing in soaring melodies that are sentimentally evocative and unmistakably their own. The Main Thing dives further into the musical dichotomies they're known for'lilting, bright guitar lines set against emotionally nuanced lyrics, complex arrangements conveyed breezily. What emerges is a superlative collection of interrogative songs as full of depth, strangeness and contradictions as they are lifting hooks.
Third Man Records had the pleasure of hosting the inimitable Broken Social Scene, carefully absorbing and recording their magnetic and unforgettable live set on the Blue Room stage. Epic, panoramic, and intimate all at the same time, the legendary Toronto collective Broken Social Scene began as an ebbing and flowing collective of artists in the late 90s, collaborating to create a distinct strand of indie rock that is both perplexingly maximal and straight-up catchy.
The band kicked off the set with emotive fan favorite “Cause = Time”, then transitioning into “Stay Happy,” the lead track from 2017’s Hug of Thunder, in all it’s hypnotic, horn-driven grandeur. Then, on the flip side, the album’s 2-song B-side wraps with the slow-build anthem “It’s All Gonna Break,” a song once described as “Bob Seger on acid.” Really, how else would you want a show to close?
Their live set was captured, mixed and mastered in real time via the world’s only live venue and direct-to-acetate lathe cutting studio. With the release of this live album, Third Man is very excited to invite all to be a part of this special experience, Broken Social Scene’s first commercially available live album, in the only venue in the world where performance, art and tactile transcription methodologies converge.
With a hugely impressive 1.3 million combined album sales under their belt, Tycho are the two-time Grammy nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada (“To get a sense of their sound, think the same kind of detail-oriented work and continuity of style that made Boards of Canada and Ulrich Schnauss revered artists in their field.” - Exclaim!) and resulted in a 2017 and 2020 Grammy nomination for Best Dance/Electronic Album for ‘Epoch’ and ‘Weather’, respectively.
‘Simulcast’ follows Tycho’s studio album ‘Weather’ and features highly anticipated instrumental versions of ‘Weather’ albums tracks, previously vocal-led by singer-songwriter Saint Sinner. Tycho have gone back to the studio and recorded alternative versions of those original recordings, creating new material from those much loved tracks, while taking a bold step towards their classic sound. This is an unmissable release for any Tycho fan. ‘Simulcast’ will be available on Mom + Pop Music in the US and Ninja Tune worldwide.
For the entirety of her nearly three-decade-long career, globally acclaimed singer-songwriter Lisa Loeb has been exploring a variety of styles of music, moving seamlessly between creating family-friendly albums, including her 2018 Grammy-winning Feel What U Feel, and adult-focused studio albums like Tails, Firecracker, and The Way It Really Is. It is her latest release, her fifteenth record to date, A Simple Trick To Happiness, that finds Loeb putting forth her most poignant and profoundly personal album in an exceptional body of work.
Angelica Garcia‘s new album is here. It’s called Cha Cha Palace and will be here on February 28th, 2020. Today, you can hear the dynamic new single “Guadalupe” and watch the Spencer Ford (Brockhampton)-directed video. Referencing La Virgen de Guadalupe (a Catholic icon of the Latinx community), “Guadalupe” is a meditation on the deity as a powerful 14 year-old who is the epicenter of a culture—and the responsibility that comes along with that. The announcement comes on the heels of an exciting beginning to the year, which included a co-sign from President Barack Obama and inclusion in The New York Times’ ‘Things Our Critics Are Looking Forward To’ list and ‘Best Songs of 2019’.
Recorded at the legendary Fame Studios in Muscle Shoals. Includes the new song “Bitter End”, a cover of the Bee Gees classic “To Love Somebody”, and a re-imagining of their hit single “Wish I Knew You”.
Look - if you weren't freaking out with a scrawny young Juiceboxxx at a basement show in Milwaukee when he was 15, or following his bizarre stint opening for Public Enemy in Canada a decade ago, or there for the launch of his Thunder Zone Energy Drink, or his recent champion stint on Las Vegas alt-rock radio, these are years of missed fandom you will never get back. (God knows he won't get those years back either.)But it's not too late to never forget this legendary, all-American, DIY-music lifer who against all odds keeps moving forward and confounding expectations."Coinstar Song," out May 10, is the lead single from Juiceboxxx's forthcoming new album via Dangerbird Records. Listening, or some other time when you're silently breaking down at your office desk, you might ask yourself: What is this life? Why??!? What do I get out of bed for? The answer might be in "Coinstar Song," which is somehow both soul-crushing and supremely motivational. We are here to move forward, to persist, to grind what we grind until it's deadly sharp.And if the answer to life's pressing questions isn't in "Coinstar Song," you go on looking for it. That's what the man who has maintained this deranged moniker since he was a teenager teaches us. Because if there's one thing to know about Juiceboxxx, it's that he never surrenders. "Did I mess up my life?" he asks at one point. Probably, but what else is there to do.
On his sophomore album, Full Hand, Indiana musician Kevin Krauter tackles complicated emotional states and ideas through elliptical songwriting that is at once poetic and truthful. "A lot of the lyrics touch on how I was raised religiously, touch on me understanding my sexuality more and more in recent years," Krauter says, "just growing up and becoming more confident in myself...that process of looking inward and taking stock of myself." It’s not especially uncommon for artists to probe deep into their own psyche to uncover what makes them tic, but Krauter’s light touch feels like something all his own. On the album’s first single, "Pretty Boy," he sings, "Look ahead, say I see me now / Smiling at what used to stress me out / Cause it won’t be too long, but I’ll take my time with it / It won’t be too long till I come back home." There’s a palpable sense of joy in Krauter’s acceptance of dire, stressful moments, and a liberation that comes from hearing him realize that the present will eventually be the past, and he’ll be able to look back and find peace.
Stockholm, Sweden based HOLY aka Hannes Ferm is back with his third record Ryder, a massive step forward for the young artist. After 2018's hugely ambitious three-years-in-the-making glam-psych odyssey All These Worlds Are Yours which was released to acclaim from the likes of Consequence of Sound, Bandcamp Daily, Prog Magazine, The Line of Best Fit and more, Ferm decided to take a step in the opposite direction. Teaming up with producer Jacob Haage (El Perro Del Mar) for Ryder, Ferm's delivered an intimate synth pop record melding experimentation with conventional pop songwriting and again showcasing his ear for melodies, breaking new ground while still staying true to playfulness and immediacy that's been HOLY's signature from the start.
One of the greatest jazz innovators of all time, alto saxophonist and composer Charlie Parker (b. August 29, 1920) is one of the few musicians who can be said to have permanently changed jazz. A leading figure in the development of bebop, Parker (also known as “Bird”) left an enormous musical legacy in his short 34 years of life, and his vast influence extends to other forms of art, such as dance, literature, visual arts and film. As part of Bird’s centennial celebration in 2020, Craft Recordings presents The Savoy 10-Inch LP Collection, a deluxe box set including four 10-inch LPs cut from newly restored and remastered audio. The collection highlights Bird’s pioneering bebop recordings for Savoy Records from 1944–1948, featuring jazz legends Miles Davis, Dizzy Gillespie, John Lewis, Bud Powell, Max Roach and more. The package includes faithfully restored original album artwork, plus a booklet containing vintage photos, rare ephemera and new liner notes by GRAMMY®-winning author Neil Tesser. The complete set will also be released digitally.
SremmLife is the group's 2014 debut album. Produced primarily by Mike Will Made It and A+, the album spawned five hit singles, including the smash "No Flex Zone", and "No Type." The 2LP version of SremmLife will be released on translucent red 180-gram vinyl in a gatefold configuration, the first time the release will be cut on a 2-disc vinyl configuration.
It takes an extraordinary artist to re-imagine some of the most beloved songs of the 20th century and make them completely their own. And that's precisely what James Taylor has accomplished with his brand-new album, American Standard. Recalling the best of James' early work, he infuses new sounds and fresh meaning into these timeless works of art. While these 14 carefully chosen interpretations naturally feature James' warm, one-of-a-kind vocal ability and incomparable musicianship, what makes this collection so unique is the inventive way James and his fellow co-producers, longtime collaborator Dave O'Donnell and famed musician John Pizzarelli, approached the project. Unlike most who have tackled similar material, American Standard's beautifully simple, stripped-down arrangements are based on James' skillful acoustic guitar work rather than piano and the affect is mesmerizing.
Hayley Williams hugely anticipated debut solo album Petals For Armor arrives via Atlantic Records on Friday, May 8th. Produced by Taylor York – Williams’ lead collaborator in the GRAMMY® Award-winning Paramore – the album was heralded earlier this month by the acclaimed first single, “Simmer”. The smoldering track arrived alongside its own Warren Fu-directed video, providing a compelling first chapter to a continuing storyline.
Holy Wave is a band of multi-instrumentalists from Austin, TX. Originally from El Paso, the band’s sound has evolved into a unique blend of sun baked surf-psychedelia. Holy Wave creates a brand of psych that brings to mind fellow Texans like The 13th Floor Elevators and modern contemporaries like The Black Angels and Night Beats, dyed in carefully constructed noise with an attention to detail echoing the work of influences like My Bloody Valentine and Spectrum.
2020 album from the Irish singer/songwriter. Name many of the most notable recordings and/or performers in Irish music and it's a fair bet that John Doyle had something to do with them - Liz Carroll; Eileen Ivers; Karan Casey; Solas; Michael Black; Mary Black; the trio of McCusker, McGoldrick and Doyle; and now Usher's Island (Andy Irvine, Donal Lunny, Mike McGoldrick, Paddy Glackin and John Doyle), not to mention the hugely popular Transatlantic Sessions. This list is a veritable who's who of the greatest names in Irish music, and these are just a very few of the stellar artists for whom John Doyle's signature guitar sound, singing or songwriting is essential. Impossibly in demand in the studio and on the road, immensely talented and blessed with an acute ear, a wicked sense of rhythm and seemingly endless stream of magic in his playing, composing, performing and producing, John Doyle is solidly establishing himself as one of the most versatile, creative and prolific voices in folk and traditional Irish music.
On May 1, Capitol Records will release Sam Smith’s third studio album, To Die For. This latest offering features new single “To Die For”, “How Do You Sleep?” which has amassed over 600 million streams worldwide, “I Feel Love,” a cover of Donna Summer’s disco classic and Smith’s collaboration with Noramani, “Dancing With A Stranger,” which has sold more than 10 million units and racked up over two billion streams worldwide. A No. 1 airplay hit in the U.S. & U.K., “Dancing with a Stanger” achieved Platinum status in 19 countries, including the U.S., where it is certified 2x Platinum. Since the release of their 2014 debut album, In The Lonely Hour, Sam Smith has sold over 25 million adjusted albums worldwide. They have won four GRAMMY Awards®, an Oscar, a Golden Globe and three BRIT Awards. Smith’s sophomore album, The Thrill Of It All, debuted at No. 1 on the Billboard 200 in 2017 and also topped the charts in the U.K, Ireland, New Zealand, Norway, Sweden, the Netherlands and Belgium. Awarded four stars by Rolling Stone, the album included the hit single “Too Good At Goodbyes,” which recently became Smith’s second song to receive over a billion streams on Spotify, after “Stay With Me.”
UK rock band Boston Manor will be releasing their new studio album "GLUE" via Pure Noise. Boston Manor’s third full-length is the sound of a band questioning the state of the world around them. Inevitably, in a critical examination of the modern world, it comes from a dark place, but one that fuelled the five-piece to create a body of work that elevates their craft further than ever before. Its 13 highly charged songs came out of a process that singer Henry Cox describes as “very chaotic”, but the result is a truly ferocious album - one that both draws and moves on from what they’ve done in the past, incorporating the gloomy atmospherics of 2018’s Welcome To The Neighbourhood with the highly charged yet melodic punk of 2016’s debut Be Nothing..
Singer-songwriter Josh Ritter and indie-folk duo The Milk Carton Kids teamed up to create a reimagined version of Josh Ritter's song "Losing Battles". The original version of the song appeared on Ritter's latest album "Fever Breaks". This will be available via a 7" and indie stores will be the only place to get it. The 7" also features a new song by both acts called "The Gospel of Mary".