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Expert in Baroque repertoire and making period discoveries, the Philadelphia-based ensemble Tempesta di Mare extends the commemoration of the 250th anniversary of Telemann's death with this unique album played on historically authentic instruments. This recording is the first to bring together Telemann's three surviving concerti-en-suite, from the intimate Concerto di camera to the more extravagant and impressive Concerto-Suites. Like many seventeenth-century German composers referring to their national idiom as a blend of French, Italian, and German styles, Telemann, who added rustic Polish music to this stylistic soup, quickly became the standard-bearer for this 'mixed taste' during the early eighteenth century, writing Italian concertos with a French accent, French overture featuring moonlighting concerto soloists, and Polish folk tunes that exuberantly dance their way into arias, concertos, sonatas, songs, and suites. One of his more interesting mixtures is the concerto-suite, a subgenre in which a soloist is featured in an opening concerto-allegro and in a following series of French dance movements. The three surviving works of this genre are brought together here for the first time.
Expert in Baroque repertoire and making period discoveries, the Philadelphia-based ensemble Tempesta di Mare extends the commemoration of the 250th anniversary of Telemann's death with this unique album played on historically authentic instruments. This recording is the first to bring together Telemann's three surviving concerti-en-suite, from the intimate Concerto di camera to the more extravagant and impressive Concerto-Suites. Like many seventeenth-century German composers referring to their national idiom as a blend of French, Italian, and German styles, Telemann, who added rustic Polish music to this stylistic soup, quickly became the standard-bearer for this 'mixed taste' during the early eighteenth century, writing Italian concertos with a French accent, French overture featuring moonlighting concerto soloists, and Polish folk tunes that exuberantly dance their way into arias, concertos, sonatas, songs, and suites. One of his more interesting mixtures is the concerto-suite, a subgenre in which a soloist is featured in an opening concerto-allegro and in a following series of French dance movements. The three surviving works of this genre are brought together here for the first time.
095115082126

Details

Format: CD
Label: CHN
Rel. Date: 05/04/2018
UPC: 095115082126

Concerti-En-Suite
Artist: Telemann
Format: CD
New: Not currently in stock
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Formats and Editions

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DISC: 1
MP3
1. Chamber Concerto In F Major, Twv 54:F1 (Reconstr. R. Stone): I. Vivace
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2. Chamber Concerto In F Major, Twv 54:F1 (Reconstr. R. Stone): II. Scherzando
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3. Chamber Concerto In F Major, Twv 54:F1 (Reconstr. R. Stone): III. Vivace Da Capo
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4. Chamber Concerto In F Major, Twv 54:F1 (Reconstr. R. Stone): IV. Bourrées I & II
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5. Chamber Concerto In F Major, Twv 54:F1 (Reconstr. R. Stone): V. Menuett & Trio
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6. Chamber Concerto In F Major, Twv 54:F1 (Reconstr. R. Stone): VI. Loure
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7. Chamber Concerto In F Major, Twv 54:F1 (Reconstr. R. Stone): VII. Gigue
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8. Musique De Table, Pt. 1, Quartet In G Minor, Twv 43:G3: I. Allegro
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9. Musique De Table, Pt. 1, Quartet In G Minor, Twv 43:G3: II. Siciliana
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10. Musique De Table, Pt. 1, Quartet In G Minor, Twv 43:G3: III. Bourrée
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11. Musique De Table, Pt. 1, Quartet In G Minor, Twv 43:G3: IV. Menuet
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12. Violin Concerto In F Major, Twv 51:F4: I. Presto
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13. Violin Concerto In F Major, Twv 51:F4: II. Corsicana
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14. Violin Concerto In F Major, Twv 51:F4: III. Allegrezza
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15. Violin Concerto In F Major, Twv 51:F4: IV. Scherzo
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16. Violin Concerto In F Major, Twv 51:F4: V. La Caccia
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17. Violin Concerto In F Major, Twv 51:F4: VI. Polacca
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18. Violin Concerto In F Major, Twv 51:F4: VII. Minuetto
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More Info:

Expert in Baroque repertoire and making period discoveries, the Philadelphia-based ensemble Tempesta di Mare extends the commemoration of the 250th anniversary of Telemann's death with this unique album played on historically authentic instruments. This recording is the first to bring together Telemann's three surviving concerti-en-suite, from the intimate Concerto di camera to the more extravagant and impressive Concerto-Suites. Like many seventeenth-century German composers referring to their national idiom as a blend of French, Italian, and German styles, Telemann, who added rustic Polish music to this stylistic soup, quickly became the standard-bearer for this 'mixed taste' during the early eighteenth century, writing Italian concertos with a French accent, French overture featuring moonlighting concerto soloists, and Polish folk tunes that exuberantly dance their way into arias, concertos, sonatas, songs, and suites. One of his more interesting mixtures is the concerto-suite, a subgenre in which a soloist is featured in an opening concerto-allegro and in a following series of French dance movements. The three surviving works of this genre are brought together here for the first time.
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