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Formats and Editions
1. Goethe-Lieder (Version For Voice & Orchestra): No. 49, Prometheus
2. Goethe-Lieder (Version For Voice & Orchestra): No. 29, Anakreons Grab
3. Goethe-Lieder (Version For Voice & Orchestra): No. 1, Harfenspieler I
4. Goethe-Lieder (Version For Voice & Orchestra): No. 2, Harfenspieler II
5. Goethe-Lieder (Version For Voice & Orchestra): No. 3, Harfenspieler III
6. Italienisches Liederbuch (Version For Voice & Orchestra): No. 17, Und Willst Du Deinen Liebsten Sterben Sehen
7. Italienisches Liederbuch (Version For Voice & Orchestra): No. 33, Sterb' Ich, So Hüllt In Blumen Meine Glieder
8. Mörike-Lieder (Version For Voice & Orchestra): No. 39, Denk' Es, O Seele!
9. Mörike-Lieder (Version For Voice & Orchestra): No. 28, Gebet
10. Mörike-Lieder (Version For Voice & Orchestra): No. 10, Fußreise
11. Mörike-Lieder (Version For Voice & Orchestra): No. 46, Gesang Weylas
12. Mörike-Lieder (Version For Voice & Orchestra): No. 22, Seufzer
13. Eichendorff-Lieder: No. 1, Der Freund (Version For Voice & Orchestra)
14. Spanisches Liederbuch: No. 21, Herz, Verzage Nicht Geschwind (Version For Voice & Orchestra)
15. Michelangelo-Lieder (Version For Voice & Orchestra): No. 1, Wohl Denk Ich Oft An Mein Vergangnes Leben
16. Michelangelo-Lieder (Version For Voice & Orchestra): No. 2, Alles Endet, Was Entstehet
17. Michelangelo-Lieder (Version For Voice & Orchestra): No. 3, Fühlt Meine Seele Das Ersehnte Licht
1. Der Einsiedler, Op. 144a
2. Hymne Der Liebe, Op. 136
3. An Die Hoffnung, Op. 124 (Version For Voice & Orchestra)
4. Requiem, Op. 144b
More Info:
Hardly any other singer was more associated with and devoted to the nigh 300 songs by the Austrian composer Hugo Wolf than Dietrich Fischer-Dieskau. Utterly convinced by the richness of Wolf's oeuvre, Fischer-Dieskau took Wolf's previously hardly heeded songs to many stages throughout the world. Reger was frowned upon as an 'awkward traditionalist' and 'piece worker', but Reger's songs show a completely different, moving and profound side of the composer, who takes a significant position in the song composition of the turn of the century. Even Fischer-Dieskau did not devote himself to Reger exactly frequently, unlike his downright encyclopaedic approach in other fields. In his recording of a number of particularly fine gems among Reger's orchestral songs, he was supported by Gerd Albrecht. The outcome is an artistic symbiosis of the highest quality, testifying to a passion and ardency that can be found seldom: a veritable sound document!
