Formats and Editions
1. Act 1: I. Introduction
2. Act 1: II. Romeo
3. Act 1: III. The Street Wakens
4. Act 1: IV. Morning Dance
5. Act 1: V. The Quarrel
6. Act 1: VI. The Fight
7. Act 1: VII. The Duke’s Command
8. Act 1: VIII. Interlude
9. Act 1: IX. At The Capulets’ (Preparations For The Ball)
10. Act 1: X. The Young Juliet
11. Act 1: XI. Arrival Of The Guests
12. Act 1: XII. Masks
13. Act 1: XIII. Dance Of The Knights
14. Act 1: XIV. Juliet’s Variation
15. Act 1: XV. Mercutio
16. Act 1: XVI. Madrigal
17. Act 1: XVII. Tybalt Recognizes Romeo
18. Act 1: XVIII. Gavotte
19. Act 1: XIX. Balcony Scene
20. Act 1: XX. Romeo’s Variation
21. Act 1: XXI. Love Dance
22. Act 2: XXII. Folk Dance
23. Act 2: XXIII. Romeo And Mercutio
24. Act 2: XXIV. Dance Of The Five Couples
25. Act 2: XXV. Dance With Mandolins
26. Act 2: XXVI. Nurse
27. Act 2: XXVII. The Nurse And Romeo
28. Act 2: XXVIII. Romeo At Friar Laurence’s
29. Act 2: XXIX. Juliet At Friar Laurence’s
1. Act 2: XXX. Public Merrymaking
2. Act 2: XXXI. Further Public Festivities
3. Act 2: XXXII. Meeting Of Tybalt And Mercutio
4. Act 2: XXXIII. The Duel
5. Act 2: XXXIV. Death Of Mercutio
6. Act 2: XXXV. Romeo Decides To Avenge Mercutio
7. Act 2: XXXVI. Finale
8. Act 3: XXXVII. Introduction
9. Act 3: XXXIII. Romeo And Juliet
10. Act 3: XXXIX. Romeo Bids Juliet Farewell
11. Act 3: Xl. Nurse
12. Act 3: Xli. Juliet Refuses To Marry Paris
13. Act 3: Xlii. Juliet Alone
14. Act 3: Xliii. Interlude
15. Act 3: Xliv. At Friar Laurence’s Cell
16. Act 3: Xlv. Interlude
17. Act 3: Xlvi. Juliet’s Room
18. Act 3: Xlvii. Juliet Alone
19. Act 3: Xlviii. Aubade
20. Act 3: Xlix. Dance Of The Girls With Lilies
21. Act 3: L. At Juliet’s Bedside
22. Act 3: Li. Juliet’s Funeral
23. Act 3: Lii. Juliet’s Death
More Info:
Prokofiev's imaginative orchestration has made the ballet Romeo and Juliet world-famous, primarily through the orchestral suites as opposed to the ballet as a whole. Unmistakably a child of the Rimsky-Korsakov school of orchestration, Prokofiev's orchestra arsenal for the ballet includes tenor saxophone, four mandolins, cornet, celesta, organ, piano and a number of percussion instruments. This richness in orchestration allows for unique timbres that the composer employs in the illustration of one of the world's most iconic love stories. While Russian music has been integral to the Oslo Philharmonic's recording and performance schedule in the three years that Vasily Petrenko has been at the helm, it has held an important position in the orchestra repertoire dating back to it's recordings with Jansons in the 1980s and 1990s. The exploration of this vast musical catalogue is set to continue in the orchestra's future projects with Petrenko, whose tenure as Chief Conductor was recently renewed until the 2019-20 seasion. The Oslo Philharmonic is known for it's spirit of discovery and it's reputation for finesse. Under new Chief Conductor Vasily Petrenko, it works at the highest levels of detail and style. The orchestra travels the globe, but never feels more at home than on their stage in the Oslo Concert Hall.