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Available Formats and Editions
1. Overture
2. Maybe a Man's Name: Our works in stone (Orson #1, Orson #2, Orson #3)
3. Everybody's Shakespeare: Jesus, the days I've seen (Orson #1, Orson #2, Orson #3)
4. Lament for Jacaré: J'accuse! (Orson #3)
5. First Nach(t)musik: Ah (Orson #2, Orson #3, Orson #1)
6. The Magnificent Downbeats: I intended to portray a golden world (Orson #1, Orson #3, Orson #2)
7. All Through: Marc, on fire, alone, at the piano (Orson #2)
8. Manhattan Ambulance Ride: Give me the script (Orson #3, Orson #2)
9. Border Sequence: The scene was conceived musically (Orson #1, Orson #2, Orson #3) 1
10. Card Tricks and Talk Show Badinage 1
11. Second Nach(t)musik: We're born alone (Orson #1) 1
12. Beatrice Welles Practices Chopin, 1924: Then I heard her again (Orson #1, Orson #2, Orson #3) 1
13. Consider the Chimes: Come! Sing me a dirty song (Orson #3) 1
14. Serenade for Rita: Rita's face is not on the bomb by her own choosing (Orson #2, Orson #3, Orson #1) 1
15. Myocardial Infarction: My two greatest assets have been mental stability and being, like, really smart (Orson #3, Orson #1, Orso
16. Postlude: Go On: Our works in stone, in paint, in print, are spared (Orson #1, Orson #2, Orson #3) 1
17. Charlie's Rag (End Title)