|
Formats and Editions
1. Roland, Lwv 6 (Excerpts): Ouverture
2. Roland, Lwv 6 (Excerpts): Gigue
3. Roland, Lwv 6 (Excerpts): Gavotte - Air - Gavotte (Da Capo)
4. Roland, Lwv 6 (Excerpts): 2nd Air
5. Roland, Lwv 6 (Excerpts): Marche
6. Roland, Lwv 6 (Excerpts): Menuets I & II (Da Capo)
7. Roland, Lwv 6 (Excerpts): Chaconne
8. Florilegium Secundum, Fasciculus I "Nobilis Juventus": I. Ouverture
9. Florilegium Secundum, Fasciculus I "Nobilis Juventus": II. Entrée D'espagnols
10. Florilegium Secundum, Fasciculus I "Nobilis Juventus": III. Air Pour Des Hollandois
11. Florilegium Secundum, Fasciculus I "Nobilis Juventus": IV. Gigue Pour Des Anglois
12. Florilegium Secundum, Fasciculus I "Nobilis Juventus": V. Gavotte Pour Des Italiens
13. Florilegium Secundum, Fasciculus I "Nobilis Juventus": VI. Menuets I & II Pour Des François (Da Capo)
14. Ariane Et Bacchus Suite (Excerpts): Ouverture
15. Ariane Et Bacchus Suite (Excerpts): Premier Air Pour La Suite De La Nymphe
16. Ariane Et Bacchus Suite (Excerpts): Bourrée Pour Les Mesmes - Air - Bourrée (Da Capo)
17. Ariane Et Bacchus Suite (Excerpts): Gigue
18. Ariane Et Bacchus Suite (Excerpts): Air
19. Ariane Et Bacchus Suite (Excerpts): Rondeau Pour Les Plaisirs
20. Ariane Et Bacchus Suite (Excerpts): Marche Pour La Suite De Bacchus
21. Ariane Et Bacchus Suite (Excerpts): Simphonie Du Sommeil
22. Ariane Et Bacchus Suite (Excerpts): Air Pour Les Songes
23. Ariane Et Bacchus Suite (Excerpts): Air Pour Les Flûtes
24. Ariane Et Bacchus Suite (Excerpts): Entracte
25. Ariane Et Bacchus Suite (Excerpts): Chaconne
More Info:
The Italian-born violinist and dancer Jean-Baptiste Lully revolutionized music at the French court in the 17th century. Not only did he transform ballet entertainments into a spectacular new genre, the tragedie lyrique, but he set new standards in orchestral playing- with him the 'modern' orchestra was born. The Suite from Roland exemplifies the majesty of his ouvertures, the beauty of his dance movements, and the expressive depth of his chaconnes. Both Georg Muffat and Marin Marais were profoundly influenced by Lully, as their inventive suites show, and Muffat's own preserved performance instructions have been closely followed on this recording. Named one of the top 25 ensembles in celebration of Early Musi cAmerica's 25th anniversary in 2011, the Indianapolis Baroque Orchestra is dedicated to excellent and exuberant performance of 17th and 18th century music on period instruments. It is led by it's artistic director, Barthold Kuijken.
